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Czech Ensemble Baroque & Choir Valek - Requiem - COMPACT DISCS [CD]

SKU: 10646100

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František Ignác Antonín Tuma was one of the Czech composers to have considerably influenced 18th-century European music. Along with J. D. Zelenka and G T. Muffat, he has been named among the finest pupils of Johann Joseph Fux, and, just like Zelenka, he rubbed shoulders with the political and social elite of his time. He was highly esteemed in Vienna, with his sacred music even serving as a model for younger composers, including Joseph Haydn and W. A. Mozart. A dexterous theorbist and gambist, at the age of 19 Tuma most likely participated in the celebrations marking the coronation in Prague of Emperor Charles VI in 1723. Nineteen years later, in 1742, Tuma's Requiem in c accompanied the soul mass for the self-same monarch on the occasion of the transfer of his remains to the sarcophagus in the Capuchin Crypt in Vienna. At the time, Tuma worked as Kapellmeister of the music ensemble set up by Charles's widow, Empress Elisabeth Christine. The Requiem in D minor, whose instrumentation was commensurate to the significance of the event (the orchestra was enhanced by a cornett, two trombones, a bassoon and two natural trumpets), was again heard at the funeral of Elisabeth Christine herself, in 1750. Tuma enjoyed great respect on the part of Empress Maria Theresa, who probably personally commissioned from him the Miserere in c. It comes as no surprise that following four acclaimed recordings of F. X. Richter's works Czech Ensemble Baroque have focused on Tuma. His music definitely deserves our attention. A requiem for an Emperor - a breath of new life to an Imperial Kapellmeister.

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  • Genre
    Classical
    Description
    František Ignác Antonín Tuma was one of the Czech composers to have considerably influenced 18th-century European music. Along with J. D. Zelenka and G T. Muffat, he has been named among the finest pupils of Johann Joseph Fux, and, just like Zelenka, he rubbed shoulders with the political and social elite of his time. He was highly esteemed in Vienna, with his sacred music even serving as a model for younger composers, including Joseph Haydn and W. A. Mozart. A dexterous theorbist and gambist, at the age of 19 Tuma most likely participated in the celebrations marking the coronation in Prague of Emperor Charles VI in 1723. Nineteen years later, in 1742, Tuma's Requiem in c accompanied the soul mass for the self-same monarch on the occasion of the transfer of his remains to the sarcophagus in the Capuchin Crypt in Vienna. At the time, Tuma worked as Kapellmeister of the music ensemble set up by Charles's widow, Empress Elisabeth Christine. The Requiem in D minor, whose instrumentation was commensurate to the significance of the event (the orchestra was enhanced by a cornett, two trombones, a bassoon and two natural trumpets), was again heard at the funeral of Elisabeth Christine herself, in 1750. Tuma enjoyed great respect on the part of Empress Maria Theresa, who probably personally commissioned from him the Miserere in c. It comes as no surprise that following four acclaimed recordings of F. X. Richter's works Czech Ensemble Baroque have focused on Tuma. His music definitely deserves our attention. A requiem for an Emperor - a breath of new life to an Imperial Kapellmeister.
    Artist
    Czech Ensemble Baroque & Choir Valek
    Title
    Requiem
    Format
    CD
    Label
    Supraphon
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Czech Ensemble Baroque & Choir Valek - Requiem   - COMPACT DISCS [CD]
Czech Ensemble Baroque & Choir Valek - Requiem - COMPACT DISCS [CD]

František Ignác Antonín Tuma was one of the Czech composers to have considerably influenced 18th-century European music. Along with J. D. Zelenka and G T. Muffat, he has been named among the finest pupils of Johann Joseph Fux, and, just like Zelenka, he rubbed shoulders with the political and social elite of his time. He was highly esteemed in Vienna, with his sacred music even serving as a model for younger composers, including Joseph Haydn and W. A. Mozart. A dexterous theorbist and gambist, at the age of 19 Tuma most likely participated in the celebrations marking the coronation in Prague of Emperor Charles VI in 1723. Nineteen years later, in 1742, Tuma's Requiem in c accompanied the soul mass for the self-same monarch on the occasion of the transfer of his remains to the sarcophagus in the Capuchin Crypt in Vienna. At the time, Tuma worked as Kapellmeister of the music ensemble set up by Charles's widow, Empress Elisabeth Christine. The Requiem in D minor, whose instrumentation was commensurate to the significance of the event (the orchestra was enhanced by a cornett, two trombones, a bassoon and two natural trumpets), was again heard at the funeral of Elisabeth Christine herself, in 1750. Tuma enjoyed great respect on the part of Empress Maria Theresa, who probably personally commissioned from him the Miserere in c. It comes as no surprise that following four acclaimed recordings of F. X. Richter's works Czech Ensemble Baroque have focused on Tuma. His music definitely deserves our attention. A requiem for an Emperor - a breath of new life to an Imperial Kapellmeister.

Czech Ensemble Baroque - Richter Requiem   - COMPACT DISCS [CD]

• Inch... he sat down in an armchair, pored over for the last time the score of the mourning music he himself had composed for his funeral, and - when lightly touched by the angel of death - bowed his head and passed away.Inch • C.F. Schubart's description of the death in 1789 of the eighty year old F.X. Richter, Kapellmeister of the Cathédrale Notre-Dame in Strasbourg, may be rather romantic (two years later an almost identical story related to Mozart's last moments), yet when looking at the clean copy of the autograph score it is difficult to resist the idea that the Requiem encapsulates the quintessence of his legacy. • A truly extraordinary figure, standing out among the plethora of Czech composers based abroad, Richter's singular musical phraseology reflects the places where he studied and worked contrapuntal mastery (a pupil of J.J. Fux in Vienna), elements of Neapolitan opera, the Mannheim school... • He had a reputation as a guardian of the traditions of the Inchgenuine church styleInch at a time when the pre-Classicist galant style was taking hold. How striking a similarity with the InchDresdenInch Zelenka!

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