Czech Philharmonic - Vaclav Neumann Conducts Dvorak & Smetana - COMPACT DISCS [CD]
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Three live recordings from Lucerne, released for the first time, commemorate Vaclav Neumann, one of the most distinguished podium stars of the so-called Eastern Bloc. As chief conductor of the legendary Czech Philharmonic Orchestra for many years, Neumann was regarded as an accomplished advocate of the music of his homeland in particular, which he shaped without sentimentality, but rather with a sense of form, a love of detail and a singing espressivo. InchI am a Czech through and through,Inch Vaclav Neumann once confessed - thus subliminally hinting that even in the politically turbulent times of the Cold War, he could not imagine any other homeland than Prague. Czech identity was also his artistic trademark, especially during his years at the helm of the Czech Philharmonic Orchestra, which he conducted from 1968 to 1990 and established as a cultural ambassador for his country on countless tours. The impetus for his international career, however, came from the GDR, where Neumann worked at Walter Felsenstein's Komische Oper in Berlin and later as Gewandhaus and opera conductor in Leipzig - a position steeped in tradition, which he resigned in 1968 in protest against the events of the InchPrague SpringInch. In the summer of 1969, the Czech Philharmonic was the first orchestra from beyond the InchIron CurtainInch to perform at the Lucerne Festival - under Neumann's baton, of course. Four further guest appearances followed between 1984 and 1990, including thrilling interpretations of Dvorak's Eighth Symphony, his late tone poem The Wood Dove and the prelude to Smetana's opera Libuse. Neumann never lapses into national emphasis, instead seeking a balance between richly nuanced lines - the trained violinist and violist spoke of the Inchsinging orchestraInch -, strict form and precise realisation of the musical text. All three live recordings are first releases. The 32-page
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- GenreClassicalDescriptionThree live recordings from Lucerne, released for the first time, commemorate Vaclav Neumann, one of the most distinguished podium stars of the so-called Eastern Bloc. As chief conductor of the legendary Czech Philharmonic Orchestra for many years, Neumann was regarded as an accomplished advocate of the music of his homeland in particular, which he shaped without sentimentality, but rather with a sense of form, a love of detail and a singing espressivo. InchI am a Czech through and through,Inch Vaclav Neumann once confessed - thus subliminally hinting that even in the politically turbulent times of the Cold War, he could not imagine any other homeland than Prague. Czech identity was also his artistic trademark, especially during his years at the helm of the Czech Philharmonic Orchestra, which he conducted from 1968 to 1990 and established as a cultural ambassador for his country on countless tours. The impetus for his international career, however, came from the GDR, where Neumann worked at Walter Felsenstein's Komische Oper in Berlin and later as Gewandhaus and opera conductor in Leipzig - a position steeped in tradition, which he resigned in 1968 in protest against the events of the InchPrague SpringInch. In the summer of 1969, the Czech Philharmonic was the first orchestra from beyond the InchIron CurtainInch to perform at the Lucerne Festival - under Neumann's baton, of course. Four further guest appearances followed between 1984 and 1990, including thrilling interpretations of Dvorak's Eighth Symphony, his late tone poem The Wood Dove and the prelude to Smetana's opera Libuse. Neumann never lapses into national emphasis, instead seeking a balance between richly nuanced lines - the trained violinist and violist spoke of the Inchsinging orchestraInch -, strict form and precise realisation of the musical text. All three live recordings are first releases. The 32-pageArtistCzech PhilharmonicTitleVaclav Neumann Conducts Dvorak & SmetanaFormatCDLabelAudite
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