Dabringhaus Trio Parnassus - Chamber Music 2 - SUPER-AUDIO CD [Super Audio CD (SACD)]
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The Trio Parnassus already caused a sensation with the world premiere recording of Vol. 1 of the chamber music works of Johann Christian Heinrich Rinck, who celebrates his 250th birthday this year. Since it's beginnings, the Trio Parnassus has dedicated itself to long forgotten music. Once again, the spirit of discovery is rewarded, and with beautiful sound enhancement by Helen Dabringhaus on the flute, this highly welcome new also shows it may not always be Beethoven! Rinck prefers the smaller form, some of the piano trios even consist of only one or two movements. An exception is the large Trio in D major, which already claims a higher standard with the slow introduction. Instead of detailed motivic work, however, the composer usually prefers original ideas; at most in the 3rd Trio from op. 34, a bit of Beethoven shines through. Only rarely does Rinck use a minor key, the cheerful tone clearly predominates. The Trio for flute, violoncello and piano is highly original, with an indescribably beautiful slow middle movement, framed by folk echoes in the outer movements. The fact that Rinck once again calls the violin sonata recorded here a InchSonata très facileInch seems bold in view of the very demanding instrumental-technical requirements - as an accomplished pedagogue, he is probably more interested in the pleasing character of the Preziose, whose gallant style is reminiscent of Mozart's contributions to the genre. Even though Rinck is of the same age as the currently omnipresent Beethoven, the music could not be more different rococo lightness meets romantic sentiment, there is no trace of brooding Sturm und Drang. But what the four musicians make of it is far more than fine entertainment and makes listening to this album, which is also sophisticated in terms of sound technology, a pure pleasure.
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- GenreClassicalDescriptionThe Trio Parnassus already caused a sensation with the world premiere recording of Vol. 1 of the chamber music works of Johann Christian Heinrich Rinck, who celebrates his 250th birthday this year. Since it's beginnings, the Trio Parnassus has dedicated itself to long forgotten music. Once again, the spirit of discovery is rewarded, and with beautiful sound enhancement by Helen Dabringhaus on the flute, this highly welcome new also shows it may not always be Beethoven! Rinck prefers the smaller form, some of the piano trios even consist of only one or two movements. An exception is the large Trio in D major, which already claims a higher standard with the slow introduction. Instead of detailed motivic work, however, the composer usually prefers original ideas; at most in the 3rd Trio from op. 34, a bit of Beethoven shines through. Only rarely does Rinck use a minor key, the cheerful tone clearly predominates. The Trio for flute, violoncello and piano is highly original, with an indescribably beautiful slow middle movement, framed by folk echoes in the outer movements. The fact that Rinck once again calls the violin sonata recorded here a InchSonata très facileInch seems bold in view of the very demanding instrumental-technical requirements - as an accomplished pedagogue, he is probably more interested in the pleasing character of the Preziose, whose gallant style is reminiscent of Mozart's contributions to the genre. Even though Rinck is of the same age as the currently omnipresent Beethoven, the music could not be more different rococo lightness meets romantic sentiment, there is no trace of brooding Sturm und Drang. But what the four musicians make of it is far more than fine entertainment and makes listening to this album, which is also sophisticated in terms of sound technology, a pure pleasure.ArtistDabringhaus Trio ParnassusTitleChamber Music 2FormatSuper Audio CD (SACD)LabelMDG
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The Trio Parnassus already caused a sensation with the world premiere recording of Vol. 1 of the chamber music works of Johann Christian Heinrich Rinck, who celebrates his 250th birthday this year. Since it's beginnings, the Trio Parnassus has dedicated itself to long forgotten music. Once again, the spirit of discovery is rewarded, and with beautiful sound enhancement by Helen Dabringhaus on the flute, this highly welcome new also shows it may not always be Beethoven! Rinck prefers the smaller form, some of the piano trios even consist of only one or two movements. An exception is the large Trio in D major, which already claims a higher standard with the slow introduction. Instead of detailed motivic work, however, the composer usually prefers original ideas; at most in the 3rd Trio from op. 34, a bit of Beethoven shines through. Only rarely does Rinck use a minor key, the cheerful tone clearly predominates. The Trio for flute, violoncello and piano is highly original, with an indescribably beautiful slow middle movement, framed by folk echoes in the outer movements. The fact that Rinck once again calls the violin sonata recorded here a InchSonata très facileInch seems bold in view of the very demanding instrumental-technical requirements - as an accomplished pedagogue, he is probably more interested in the pleasing character of the Preziose, whose gallant style is reminiscent of Mozart's contributions to the genre. Even though Rinck is of the same age as the currently omnipresent Beethoven, the music could not be more different rococo lightness meets romantic sentiment, there is no trace of brooding Sturm und Drang. But what the four musicians make of it is far more than fine entertainment and makes listening to this album, which is also sophisticated in terms of sound technology, a pure pleasure.
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Beethoven is not the only one this year. Johann Christian Heinrich Rinck is also celebrating the 250th anniversary of his birth in 2020. During his lifetime Rinck was highly esteemed and showered with honors, but today his music has been almost completely forgotten. The Trio Parnassus has explored Rinck's choice oeuvre for chamber music and discovered a composer who combines Rococo elegance with Romantic ideas in a most highly individual manner. Already the formal dimensions of Rinck's works show that he had an independent mind each of the three Piano Trios op. 32 comprises only two movements, and the Sonata in D major for Piano Trio consists of a mere one movement. Ulrich Rasche has carefully reconstructed the lost cello part of the sonata on the basis of the piano part. Rinck was not one to brood while churning out themes and motifs; in what are often small dimensions he develops an airy lightness that nevertheless is repeatedly countered by surprising breaks. Perhaps it was this carefree attitude that led Rinck to assign the tag Inchtrès facileInch (very easy) to the violin sonata recorded here. In any event, it cannot have been the lack of demanding technique since both the pianist and the violinist repeatedly have their hands full, especially in the charming variation movement. Mozart is not far away in this early work. The concluding Trio in E flat major has three movements, which means that it is the one that corresponds the most to Classical ideas of form. With it's slow introduction and highly expressive harmonies, this mighty work comes very close to Beethoven's musical language. A welcome broadening of a musical horizon full of birthday surprises!
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