Dadaism 999 - The Misery Book - VINYL LP

Della Mae - InchHeadlightInch Concord Music Group; Rounder; Bluegrass, LP Vinyl, [Violet Marble LP]

Vinyl LP pressing. Vinyl LP pressing. Composer and guitarist Yasmin Williams releases her new album, Acadia, on October 4, 2024, via Nonesuch Records. The album, her Nonesuch debut and her most sonically expansive work to date, comprises nine original, mostly instrumental, tracks written and produced by Williams, and features her on various guitars, banjo, calabash drum, tap shoes, and kora. Williams is joined on the album by an eclectic cast of collaborators-including Immanuel Wilkins on saxophone, Dom Flemons on rhythm bones, Aoife O'Donovan on vocals, William Tyler on guitar, and many others-creating a folk music that reflects the wide range of musical influences that have inspired her throughout her life. Of the album, Williams says InchAcadia has several meanings a place of rural peace and pastoral poetry (Italian), a refuge or idyllic place, (Greek and Italian), fertile land (Mi'kmaq), a place of plenty (French)... all of this relates to the ethos of this album. The songs are seeds I planted, and the seeds grew into the album, Acadia a place of peace, a place where creativity can blossom, a place where everyone can fit in together and collaborate effectively, a place where the fruits of my own labor in music can fully flourish without judgment or prejudice. One of my visions for this record was to expand the potential for current folk music to encourage collaboration across various genres. Blurring those somewhat arbitrary lines has been a natural tendency for me since I started writing music at twelve years old and Acadia is a full circle moment. Inch

Vinyl LP pressing includes . Since the of CLPPNG, things have changed for the band-William finished his Ph.D. in Theater and Performance Studies with a dissertation on experimental music, Jonathan composed scores for the films Starry Eyes, The Nightmare, Excess Flesh, and Contracted Phase II, and Daveed hit Broadway. Their activities outside Clipping have always influenced their work in the band, but never as much as in the creation of Splendor & Misery. Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship's shuddering hull and chirping instrument panels. William and Jonathan's tracks draw an imaginary sonic map of the ship's decks, hallways, and quarters, while Daveed's lyrics ride the rhythms produced by it's engines and machinery. In a reversal of H.P. Lovecraft's concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, the character decides to pilot his ship into the unknown-and possibly into oblivion-instead of continuing on to worlds whose systems of governance and economy have violently oppressed him.