Damien Jurado - Saint Bartlett - VINYL LP
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Saint Bartlett opens up with a grandiosity yet unheard on a Damien Jurado album. It strips away the many layers of paint from the house down the street, the one Jurado has occupied for the last decade, and goes to work liberally applying an exhilarating new coat, making the whole neighborhood shine in the process! Mellotrons swell, heavenly handclaps ring in stereo and big drums create a sky for the songs to fly in. Produced by fellow Secretly Canadian artist Richard Swift, his 'Spector-esque' production is spot-on, a production that positions Damien Jurado not as a folk singer but as a mystic - somewhere between Van Morrison, Scott Walker and Wayne Coyne. Saint Bartlett was made entirely at Swift's National Freedom studio in Oregon, in just under a week with only Jurado and Swift as the performers.
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VINYLSpecifications
- GenrePopDescriptionSaint Bartlett opens up with a grandiosity yet unheard on a Damien Jurado album. It strips away the many layers of paint from the house down the street, the one Jurado has occupied for the last decade, and goes to work liberally applying an exhilarating new coat, making the whole neighborhood shine in the process! Mellotrons swell, heavenly handclaps ring in stereo and big drums create a sky for the songs to fly in. Produced by fellow Secretly Canadian artist Richard Swift, his 'Spector-esque' production is spot-on, a production that positions Damien Jurado not as a folk singer but as a mystic - somewhere between Van Morrison, Scott Walker and Wayne Coyne. Saint Bartlett was made entirely at Swift's National Freedom studio in Oregon, in just under a week with only Jurado and Swift as the performers.ArtistDamien JuradoTitleSaint BartlettFormatVINYLLabelSecretly Canadian
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Saint Bartlett opens up with a grandiosity yet unheard on a Damien Jurado album. It strips away the many layers of paint from the house down the street, the one Jurado has occupied for the last decade, and goes to work liberally applying an exhilarating new coat, making the whole neighborhood shine in the process! Mellotrons swell, heavenly handclaps ring in stereo and big drums create a sky for the songs to fly in. Produced by fellow Secretly Canadian artist Richard Swift, his 'Spector-esque' production is spot-on, a production that positions Damien Jurado not as a folk singer but as a mystic - somewhere between Van Morrison, Scott Walker and Wayne Coyne. Saint Bartlett was made entirely at Swift's National Freedom studio in Oregon, in just under a week with only Jurado and Swift as the performers.
Vinyl LP pressing. 2012 album from the Seattle-based singer/songwriter. At Richard Swift's National Freedom studios, the live-to-tape ethos allowed the songs on Maraqopa to expand and retract like a great beast's breath. Every in-the-moment bell and whistle here is hung with a natural, casual care. And from this, each song offers up it's own unique gift.
Limited translucent clear vinyl LP pressing. June 1975's Main Course, one of the most significant albums in The Bee Gees catalog, marked a new direction for the group, and in turn created the model for their output throughout the rest of the 1970s by featuring a fresh, R&B-meets-pop sound. Recorded in Miami, Florida, and produced by the legendary Arif Mardin, the album's infectious #1 hit, InchJive Talkin',Inch carries a rhythm inspired by the sound the group's car made on the 163rd Street Causeway Bridge as they drove to and from the recording sessions being held at the fabled Criteria Studios. The album's other hit singles include the dramatic InchNights On BroadwayInch and the always touching InchFanny (Be Tender With My Love).Inch
2022 promises to be a banner year for Damien Jurado. Not only does the year mark the songwriter's 50th birthday, but it also sees the summer of his 18th studio album, the impressionistic and tuneful Reggae Film Star. And hang on, there's more on September 23rd, 2022 Sub Pop Records reissues Jurado's debut full-length, 1997's Waters Ave S. The work of a young artist driven by complex inner visions, the LP offers a fresh chance to examine how far Jurado has come in the 25 years since it's -but also demonstrates how much of his point of view and vivid scenecraft was firmly in place from the very start. A veteran of the DIY punk and hardcore scenes, Jurado had begun taking steps into the world of lo-fi home recording. But with renowned indie rock producer Steve Fisk acting as producer, Waters Ave S introduced Jurado to the independent music world, presenting a set of 13 songs that encompass odes to remote desert outposts, late-night conversations with Elvis, a purple anteater, and the great beyond. Though new to the studio, Jurado's storytelling lens is well honed; these compositions are filled with characters wandering the psychic wilderness, flawed but nonetheless certain of themselves, or at least certain enough. Those only familiar with Jurado's ambient-tinged folk or AM gold psychedelia will find the album more punky than expected, replete with post-punk basslines, electric guitars, and a youthful tenor to Jurado's voice. But what's most striking about the record is how fully-formed his world is, especially on songs like the lilting, drum-looped InchAngel of May,Inch the sci-fi InchSpace Age Mom,Inch and mournful simplicity of the title track. Jurado was just getting started, but the path he'd follow seems laid out by Waters Ave S. 25 years later, it's clear that the creative spirit that fuels this idiosyncratic and exuberant record is one that still propels Jura
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