Daniel Stepner - L'orfeo Favola in Musica 1607 - COMPACT DISCS [CD]

Daniel Stepner - Sonatas & Partitas / Chromatic Fantasy & Fugue [COMPACT DISCS] date 06/25/2013

Probably the first question that arises in relation to the new recording of the Sei Solo (BWV 1001-1006) for solo violin by Johann Sebastian Bach is that of it's justification Since there are already numerous, sometimes legendary recordings of this work, why then another one? The answer lies in the recently published book InchAus der Seele muß man spielen...Inch (Vienna 2020), in which the author of this preface deals with the baroque theory of affect and it's effects on interpretation. The present recording by the Austrian violinist Daniel Auner is probably the first recording in which the principles of the theory of affect and musical rhetoric have been consistently implemented.

Beethoven's Sonatas Probably the best known of Beethoven's sonatas are the Pathetique, Moonlight and Appassionata. Only the first name was given by the composer. The Moonlight Sonata has it's name from the inspiration of the poet Rellstab (whose verses were to be set to music by Schubert). Writing in 1832 he likened the sonata to the wild scenery bordering Lake Lucerne, seen from a boat by moonlight. The French romantic composer Berlioz, on the other hand, preferred to see sunlight in the sonata, and other writers have been equally imaginative. Sonata No.8 in C Minor, Op. 13 InchPathetiqueInch The Sonata pathetique was written in 1798 and 1799, and was published in the latter year with a dedication to Prince Lichnowsky, the nobleman who had travelled to the court of Berlin with Mozart in 1789. The work, Opus 13, is in C Minor, and is described as a InchGrandeInch Sonata, music suitable for public performance by the composer, who was at this time one of the most distinguished keyboard-players in Vienna. Sonata No.14 in C Sharp Minor 'quasi una fantasia' Op. 27, No.2 InchMoonlightInch The Moonlight Sonata is more properly described by it's title Sonata quasi una fantasia, Opus 27 No.1, in the key of C Sharp Minor. The imaginative writer Arnold Schering, already referred to, found a literary parallel with Shakespeare's Merchant of Venice, but others have chosen to find in the sonata romantic notions of a different kind. It was completed in 1801, and dedicated, at the last minute, to Countess Giulietta Guicciardi, a young pupil of Beethoven. Sonata No.23 in F Minor, Op. 57 InchAppassionataInch Sonata in F Minor, Opus 57, the Appassionata, was considered by Beethoven to be among his best piano sonatas. It's nick-name, although not chosen by the com- poser, is an apt one, although Schering's parallel with Shakespeare's MacBeth may appeal to us less. Dedicated to the Countes