Dead Moon - What A Way To See The Old Girl Go - COMPACT DISCS [CD]

Shapeshifter, the new long-player from cosmic LA rockers Triptides, unfolds like a golden sunrise over the Pacific ocean. Warm rays of Wurlitzer and Farfisa organ radiate through a swirling haze of vocal harmony as kaleidoscopic melodies trace shimmering trails through your subconscious. A floodtide of laid-back grooves unfold and uplift, unfurling gracefully as they fill one's inner space. And they say you can't escape gravity in your living room Over the last fourteen years and dozens of albums and singles, Triptides have traversed a hyper color musical landscape of psychedelic rock, Laurel Canyon folk and spaced-out jazz pop. Each track can be traced back to group leader Glenn Brigman's unique ability to craft and explore a seemingly infinite number of dimensional melodies and harmonies. With every line of Brigman's airy vocals that dance across the tape and into the speakers, stoners, trippers and lovers alike are transported to a sweet and familiar place, lifted by chiming guitars, hypnotic drums, glittering pianos and hallucinogenic fuzz. Between Starlight (2023) and Shapeshifter the music merrymakers that support Brigman's vison ebbed and flowed, while the inspiration continued to percolate within his studio nestled in the San Bernadino Mountains. InchIt's back in the woods, and it's nice putting noise out into the voidInch says Brigman. Starting with keys and a click, he gave himself over to inspiration to create Shapeshifter. InchI would sit down and play the drums, then add piano and guitars, vocals and tambourines and all that jazz and suddenly it's been eight hours.Inch Performed, produced, and mixed primarily by Brigman, Shapeshifter took form over a year of musical exploration. As the songs emerged, he noticed that the keyboards kept coming to the surface in the form of a cerebral, down-tempo psychedelia. The soft glow of those melodic embers caught; wit

In 1976, Jim Gannon was working tirelessly to carve out his niche of his own in the jazz world. Already a seasoned performer alongside the likes of The Buddy Rich Big Band, Herbie Mann, Sam Most, and Woody Herman, Gannon was primed to step out of the shadows and create something distinctly his own. Gannon's Back in Town, now a treasured rarity in any collector's arsenal, champions the experimental sound of the vibrant tapestry of late 1970s Hollywood jazz.

Discovered and nurtured by the late, great John Peel, Bridget St John was one of the UK's leading folk voices of the late '60s and early '70s. This comprehensive box set includes the three sensational albums recorded for Peel's Dandelion tag, plus live recordings and recordings made for the BBC between 1968 and 1972.