Dee Dee Bridgewater - Afro Blue - COMPACT DISCS [CD]
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Digitally remastered edition of Dee Dee's debut album. Recorded in Tokyo in 1974, the album was originally released exclusively in Japan via two different Japanese labels. Afro Blue features an exquisite collaboration of American and Japanese musicians, such as Cecil and Ron Bridgewater, Motohiko Hino and producer Takao Ishizuka. The result is a sublime deep soul-jazz masterpiece with timeless versions of 'People Make The World Go Round', 'Love From The Sun', and 'Afro Blue'. It is arguably one of the finest albums in it's genre. This record has long been a sought-after item for DJs and collectors alike, so we are delighted to finally make this wonderful music from an understated great available to all.
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- GenreJazzDescriptionDigitally remastered edition of Dee Dee's debut album. Recorded in Tokyo in 1974, the album was originally released exclusively in Japan via two different Japanese labels. Afro Blue features an exquisite collaboration of American and Japanese musicians, such as Cecil and Ron Bridgewater, Motohiko Hino and producer Takao Ishizuka. The result is a sublime deep soul-jazz masterpiece with timeless versions of 'People Make The World Go Round', 'Love From The Sun', and 'Afro Blue'. It is arguably one of the finest albums in it's genre. This record has long been a sought-after item for DJs and collectors alike, so we are delighted to finally make this wonderful music from an understated great available to all.ArtistDee Dee BridgewaterTitleAfro BlueFormatCDLabelMr Bongo
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Profligate - Somewhere Else [COMPACT DISCS] date 01/05/2018

Part 1 of The Fools Sermon as composed by and recorded by Daniel Higgs. Features Eli Winograd on bass and bass keyboard and Fumie Ishii on drums & voice and Higgs on banjo and voice. InchDaniel Higgs once told me that the Earth is actually in it's 34th life cycle. That everything has been conceived, created, grown, withered and ultimately been destroyed a grand total of thirty three times to date. As for quite how long this ourobouros-esque pattern will continue, he never enunciated. For enunciation is at the very heart of The Fools Sermon. Or I should say 'Ee-nun-see-a-she-on', as language in the hands of Higgs becomes a play-thing; syllables coil and retreat as if in eternal competition over the course of this 35 minute address. Anyone versed in Higgs' vocabulary over his 30 year-plus career as musician, poet and orator, The Fools Sermon will feel like a worthy distillation of his other-world view a raw vision of the sacred and the profane, the physical and the metaphysical, The Proterozoic and the present. At points, the results conjure a Flannery O'Connor penned pulpit-bound preacher elucidating as a huddle of Tribe Records personnel channel Amiri Baraka's 'Black Dada Nihilismus'; at others the narcoleptic exotica of Eden Ahbez shakes hands with Blind Joe Death. One imagines Gene Roddenberry's 'Captain' turning his attention to the Philosopher's Stone, to boldly go where no man and everyman has been before and forever will go again.Inch - Anthony Sylvester, 2016. Cut by Christoph Grote-Beverborg at Dubplates & Mastering, Berlin. Cover photo by Fumie Ishii. Back cover photo by Micke Keysendal.
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Dee Dee takes on the mantle of disco diva on this 1979 album. InchBad For MeInch, the title cut, is one of the best club cuts of all time. The material is strong and the jazz influences give the album greater heft than the run of the mill material released by contemporary's at the time. This upbeat disco album encapsulates all that was right about the Disco Era. Sure she has graduated on to the upper echelons of jazz, but this is where she got her start. It's fun. She adds depth and fire to the dance cuts InchDon't Say ItInch and the sassy InchFor The GirlsInch, the album closes with the excellent Ashford & Simpson penned InchIs This What Feeling GetsInch from The Wiz. InchBad For MeInch was produced by George Duke.
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