Deerhoof - Future Teenage Cave Artists (Color Vinyl) - VINYL LP
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Over the past couple of years while making their new album, Deerhoof have been asking themselves if there was any music they could create that expressed how our rapidly emerging future might actually feel. The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival-these hopeful heroes are Deerhoof's inspiration. These are the Future Teenage Cave Artists. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days. Take the narrator of InchThe Perfect MeInch from 2007's Friend Opportunity an orphaned but eager soul attempting to entice other wounded wanderers who might lack a home, a clan, a family, a history. But on Future Teenage Cave Artists our protagonist is threatened by terror lurking around every corner. Add to that the fact that our 'cast-off queen,' our 'maniac,' our 'terrible daughter' is watching themselves get orphaned in real time, by an older generation in power that would seemingly rather see life on Earth destroyed than let go of archaic systems of capital. Like a lot of the music they have released over the last quarter-century, the Deerhoof of Future Teenage Cave Artists (Satomi Matsuzaki on bass and vocals, Ed Rodriguez and John Dieterich on guitars, and Greg Saunier on drums, vocals and piano) stitches together fragments of 'r&b' and 'classic rock' and transforms them into a new language of revolution, forgoing verse-chorus structures for dream logic and blind intuition. But what makes this album different is it's intimacy-the blues riffs and slide guitars are joined by rusty pianos and whispered three-part harmonies.In this sense, FTCA inverts the formula of Deerhoof's last album, Mountain Moves, whic
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- GenreRockDescriptionOver the past couple of years while making their new album, Deerhoof have been asking themselves if there was any music they could create that expressed how our rapidly emerging future might actually feel. The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival-these hopeful heroes are Deerhoof's inspiration. These are the Future Teenage Cave Artists. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days. Take the narrator of InchThe Perfect MeInch from 2007's Friend Opportunity an orphaned but eager soul attempting to entice other wounded wanderers who might lack a home, a clan, a family, a history. But on Future Teenage Cave Artists our protagonist is threatened by terror lurking around every corner. Add to that the fact that our 'cast-off queen,' our 'maniac,' our 'terrible daughter' is watching themselves get orphaned in real time, by an older generation in power that would seemingly rather see life on Earth destroyed than let go of archaic systems of capital. Like a lot of the music they have released over the last quarter-century, the Deerhoof of Future Teenage Cave Artists (Satomi Matsuzaki on bass and vocals, Ed Rodriguez and John Dieterich on guitars, and Greg Saunier on drums, vocals and piano) stitches together fragments of 'r&b' and 'classic rock' and transforms them into a new language of revolution, forgoing verse-chorus structures for dream logic and blind intuition. But what makes this album different is it's intimacy-the blues riffs and slide guitars are joined by rusty pianos and whispered three-part harmonies.In this sense, FTCA inverts the formula of Deerhoof's last album, Mountain Moves, whicArtistDeerhoofTitleFuture Teenage Cave Artists (Color Vinyl)FormatVINYLLabelJoyful Noise Records
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Over the past couple of years while making their new album, Deerhoof have been asking themselves if there was any music they could create that expressed how our rapidly emerging future might actually feel. The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival-these hopeful heroes are Deerhoof's inspiration. These are the Future Teenage Cave Artists. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days. Take the narrator of InchThe Perfect MeInch from 2007's Friend Opportunity an orphaned but eager soul attempting to entice other wounded wanderers who might lack a home, a clan, a family, a history. But on Future Teenage Cave Artists our protagonist is threatened by terror lurking around every corner. Add to that the fact that our 'cast-off queen,' our 'maniac,' our 'terrible daughter' is watching themselves get orphaned in real time, by an older generation in power that would seemingly rather see life on Earth destroyed than let go of archaic systems of capital. Like a lot of the music they have released over the last quarter-century, the Deerhoof of Future Teenage Cave Artists (Satomi Matsuzaki on bass and vocals, Ed Rodriguez and John Dieterich on guitars, and Greg Saunier on drums, vocals and piano) stitches together fragments of 'r&b' and 'classic rock' and transforms them into a new language of revolution, forgoing verse-chorus structures for dream logic and blind intuition. But what makes this album different is it's intimacy-the blues riffs and slide guitars are joined by rusty pianos and whispered three-part harmonies.In this sense, FTCA inverts the formula of Deerhoof's last album, Mountain Moves, whic
Clear Smoke Vinyl. Less than a year after her album Through and Through, Baby Rose returns with Slow Burn, a collection of songs that explode her sonic palette from progressive R&B into a rawer, richer and more sprawling lens of American music. Here, Rose asserts herself as not only a once-in-ten-lifetimes vocalist, but as a formidable songwriter connecting the dots where Muscle Shoals meets psych, psych meets jazz, jazz meets Americana, and the right players bring it all together. Produced by BADBADNOTGOOD, Rose and the band found an instant but seemingly endless well of inspiration; what started as an introduction became a day, became a song, became a night, became Slow Burn.Baby Rose was already a powerful position player - she can share the stage with Robert Glasper without breaking a sweat, or close an epic film like Creed III, for which she performed the closing credit song, with steely confidence. When Rose first met with BADBADNOTGOOD the idea was to say hello, get acquainted, see what a collaboration could, over time, potentially become. But the connection was instant, and together they put down lead single InchOne Last DanceInch in just that first meeting. It was Rose's first freestyle vocal, and it snapped crucial pieces of her vision into focus. InchI've known deep down there were new spaces and sounds that I could rise to,Inch Rose explains. InchI've always been into different sounds that bring in those rawer textures.Inch And so while the speed of their collaboration thrilled and surprised Rose, the potential and the end results did not. InchWe moved quickly,Inch she says, Inchand it really was a faucet. Once we got 'One Last Dance', it became clear everything was going to flow.InchThe songs on Slow Burn were inspired in part by Rose's experiences driving between her family's home bases the noise and chaos of DC and the quiet, Carolina countryside. Rose
Deerhoof - Mountain Moves [VINYL LP] date 09/08/2017
Holdypaws is Deerhoof's third album, originally released on CD in 1999. Now it has been remastered, resequenced, and pressed on vinyl for the first time to celebrate it's 20-year anniversary (and 25-year anniversary of the band s formation)! Pitchfork once called Deerhoof the best band in the world.
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