Dellefors - Limelight & Limestone - a - COMPACT DISCS [CD]

Boston's most devoted and steadfast hardcore band, Defeater knows what it takes to remain credible in a scene where fans demand both unapologetic, in-your-face power and intense emotional honesty. For Defeater and their die-hard fans, this honesty is key, and with their Epitaph debut Abandoned, Defeater have created their masterpiece.

First full concert album from Sparks, brothers Ron and Russell Mael, recorded in 2025. Following last year's world tour, Sparks were invited to perform a one-off show on the Moon - the first band in history to do so! Includes an introduction and outro from Cate Blanchett, who accompanied the band on their lunar trip. Sparks Live On The Moon comprises a full live set of twenty songs spanning the band's 54 year career, including 'This Town Ain't Big Enough For Both Of Us', 'The Number One Song In Heaven', 'When Do I Get To Sing InchMy WayInch', 'The Girl Is Crying In Her Latte' and songs from their most recent album MAD! Pressed on limited edition double CD. Sparks Live On The Moon follows MAD!, their acclaimed 28th studio album which reached #2 in the UK charts last year - their highest chart position to date! Since the of MAD! Sparks have toured the globe, including their first ever shows in Hong Kong and the Moon's Taruntius Crater. 2026 has seen the band continue to play live including dates in Japan, Australia, New Zealand, UK, Holland, France and Belgium. Sparks features on the lead single from the most recent chart-topping Gorillaz album and are supporting them at their Tottenham Hotspur Stadium show later this month. In August they will be headlining the second stage at Green Man Festival and performing at Rock en Seine in Paris.

Moritz Benjamin Kolb writes InchWe first placed the sheet music of Purcell´s fantasias on our music stands at a time when we were principally working on Mendelssohn's last quartet, immersed in his dark spiritual mood. We played the first bars of one of the fantasias on a whim, perhaps subconsciously wishing to find a light-hearted contrast to what we were working on. The incredible beauty and clarity of the music took hold of us straight away, in a way that no other music had affected us till then. Our faces brightened up and we knew that these gems would stay with us. From then on, we began each rehearsal with one of the fantasias. This new light was rather like an awakening for us. We began to include the fantasias in our concert programmes. As a result of the enthusiastic audience reaction and our collaboration with the wonderful Richard Gwilt we decided, over time, that we would take possession of these works. As a result, the contrast between light and dark on this recording is something very personal. We are very happy about this and grateful.Inch