Denis Goldfeld - J.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1003 & BWV 1004, Vol.1 - COMPACT DISCS [CD]
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Johann Sebastian Bach Sonaten und Partiten Vol. 1 (BWV 1003, 1004) Denis Goldfeld, violin Johann Sebastian Bach's sonatas and partitas for solo violin are among the most important works in the violin literature. Probably composed in Kothen around 1720, they combine profound musical expressiveness with technical brilliance. The collection consists of three sonatas in the traditional church form (four movements slow-fast-slow-fast) and three partitas, which vary the dance movements. The Chaconne from Partita No. 2 in D minor is particularly well-known, a monumental work that is considered the pinnacle of Baroque solo violin art. In these compositions, Bach demonstrates a masterful combination of polyphony, structure and emotional depth - on an instrument that seems barely capable of polyphony.
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- GenreClassicalDescriptionJohann Sebastian Bach Sonaten und Partiten Vol. 1 (BWV 1003, 1004) Denis Goldfeld, violin Johann Sebastian Bach's sonatas and partitas for solo violin are among the most important works in the violin literature. Probably composed in Kothen around 1720, they combine profound musical expressiveness with technical brilliance. The collection consists of three sonatas in the traditional church form (four movements slow-fast-slow-fast) and three partitas, which vary the dance movements. The Chaconne from Partita No. 2 in D minor is particularly well-known, a monumental work that is considered the pinnacle of Baroque solo violin art. In these compositions, Bach demonstrates a masterful combination of polyphony, structure and emotional depth - on an instrument that seems barely capable of polyphony.ArtistDenis GoldfeldTitleJ.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1003 & BWV 1004, Vol.1FormatCDLabelHanssler Classic
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Johann Sebastian Bach Sonaten und Partiten Vol. 1 (BWV 1003, 1004) Denis Goldfeld, violin Johann Sebastian Bach's sonatas and partitas for solo violin are among the most important works in the violin literature. Probably composed in Kothen around 1720, they combine profound musical expressiveness with technical brilliance. The collection consists of three sonatas in the traditional church form (four movements slow-fast-slow-fast) and three partitas, which vary the dance movements. The Chaconne from Partita No. 2 in D minor is particularly well-known, a monumental work that is considered the pinnacle of Baroque solo violin art. In these compositions, Bach demonstrates a masterful combination of polyphony, structure and emotional depth - on an instrument that seems barely capable of polyphony.
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J.S. Bach - Sonatas & Partitas for Solo Violin [COMPACT DISCS] date 01/01/2004
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Given the 'romantic' nature of these two sonatas, Saint-Saëns could have been forgiven for producing two-piano versions that treated the originals as bases for his own imaginings. In fact, as far as a fourth party can judge, he has been scrupulous in respecting the composers' intentions. Wherever either piano is playing on it's own, it plays the original text. Beyond that, of course, are the host of more complex textures where Saint-Saëns has felt free to add notes for extra emphasis. Perhaps the most satisfying admixture of color comes in the Chopin Funeral March, where extra low octaves in the bass boom like the beating of a bass drum. But throughout, the relative, new-found simplicity of each piano part allows performers to phrase more subtly. No doubt Liszt had these points in mind when he considered making such a transcription of his sonata, alas never realized. But he greatly admired Saint-Saëns as both composer and pianist, and one cannot but imagine he would have approved his fine arrangement. (Roger Nichols)
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J.S. Bach - Sonatas for Violin [COMPACT DISCS] date 03/17/1995
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