Dero Goi - 1984 - Blue/Pink - VINYL LP

Dero Goi is back with a bang! The former OOMPH! Frontman delivers a massive statement of intent regarding his future direction as an artist - both musically and lyrically - in the shape of the double album Inch1984Inch, which is packed to the brim with synth hits. Inch1984Inch is a fascinating fusion of beloved retro-synth sounds, synth-wave, and EBM with contemporary electronic elements, and even a dose of his former life as a rock and metal musician. Dero Goi, who has always been recognised as an outstanding songwriter, has honed his craft to an even sharper edge. This massive collection of songs will make people dance and sing along, and it will fix catchy tunes into their minds that are bound to last for years to come. Dero Goi remains true to his unbending will of carrying on as a nonconformist artist. Always outspoken and never shy to share his views, his coming out as a Born Again Christian who is still critical towards organised religion and his declared libertarian political leaning have provoked a wide range of reactions. Those include massive obstacles to overcome in finding a tag, a booking agent, and he even had to go through already confirmed shows being cancelled. This poses the question how tolerant is a scene that prides itself of greatest openness to any social class and lifestyle when those values are being put to the test? Are freedom of the arts and freedom of thought only for those, who conform to currently popular ideals? Of course, even words have consequences and there are limits to any freedom, but should those apply to an artist who stands firmly on the ground of his country's constitution and is not breaking any laws? What is freedom worth, if it does not entail the right to dissent? Dero Goi begs to differ and that is not a crime. Before Dero Goi, who was born as Stephan Musiol on April 16, 1970 in the German city of Wolfsburg, founded OO

Aurelio Bonelli's life is shrouded in mystery and today little remains of his creative output. The set features works from the collection Il primo libro de ricercari et canzoni a quattro voci of which only two copies remain. An artist by day it's thought he learnt painting from Agostino Carracci, a key figure of the Bologna School. They worked together on the frescos of Bologna's Olivetan monastery of San Michele in Bosco and in approximately 1611 Bonelli was appointed monastery organist. The set opens with eight four-part Ricercari. This gives a fascinating insight into how the Italian ricercar evolved from simply a vessel for compositional experimentation with few formal structures, to a defined style governed by rules, eventually making it the keyboard equivalent of the liturgical vocal motet. Bonelli's ricercari can be placed in the middle of this transition period. Ricercar del Secondo Tuono and Ricercar del Quinto Tuono for example have identifiable forms but irregularities occur with the introduction of new stylistic and formal elements at the end of the second section which contradict received ideas about the tripartite form. Classical themes are reflected in the eight four-part canzoni where names are drawn from mythology and epics 'Licori', 'Arete', 'Urania', 'Istrina', 'Nisa', 'Irene', 'Artemisia' and 'Erina'. Again, we hear the conflict between experimentation and modern rules, and the pieces all feature four or five different themes and regularly change metres. This gives the impression there are as many as four or five different parts while only 'Urania' strictly follows the ternary structure. Federico Del Sordo plays the organ of the Abbey of San Magno. Dating from the 1600s, it is the oldest organ with surviving double pedals, allowing works written for two organs to be performed. The artist also plays a harpsichord strung with iron wire rather than b

W.a. Mozart - Violin Concertos 3 G KV216 [COMPACT DISCS] date 09/22/1994