Descendents - Everything Sucks - VINYL LP

Limited yellow colored vinyl LP pressing. Arriving three years after they burst on to the scene with their iconic debut, Descendents' I Don't Want To Grow Up was originally released on D. Boon and Mike Watt's New Alliance Records. The album was recorded after vocalist Milo Aukerman returned from college, and is the first of two Descendents releases to feature guitarist Ray Cooper. It found the band leaning even harder into their penchant for irresistible melodies, often with a much brighter sound than what could be found on Milo Goes To College. This sonic evolution helped the band evade falling into a sophomore slump, and only strengthened their already-cemented legacy.

2002 vinyl LP reissue. The raw energy of The Adolescents announced the birth of the So. Cal. Punk scene. Brash lyrics and furious playing were their hallmarks that led to a cult status among punk afficianados. Their self-titled album from 1981 set the proverbial stage for everyone from The Dead Kennedys to Green Day and Offspring. Scoring a punk hit with InchAmoeba,Inch The Adolescents soon outgrew each other and split apart. Yet their attitude and high-intensity playing live on. Original copies of their only LP are nearly impossible to find, but this reissue on vinyl is a treat for punk fans and collectors. It is one of those rare albums you just can't miss. Frontier Records. Recorded at Perspective Sound, Sun Valley. Mastered at A&M, Hollywood by Frank DeLuna

Orange County's Social Distortion returns with it's first album in 15 years with Born to Kill. Armed with 11 urgent songs, Mike Ness continues to build on the mystique that Social Distortion is more than just a punk band. Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. For many, Born to Kill is a return to form, but instead, it's a continuation of the bar of excellence that Social Distortion and, in turn, Ness has long been praised for.Born to Kill is a body of work that will live long in the Social Distortion catalog. Songs like the rowdy title track that serves as the album's mission statement, along with the riff-laden InchPartners in Crime,Inch the nostalgic InchThe Way Things Were,Inch and rollicking InchTonightInch are songs that fit in across any of Social Distortion's various eras. Now nearly five decades into it's career and with a remarkable catalog spanning nearly three generations, Social Distortion has no intention of slowing down any time soon.