Destroyer - Ken - VINYL LP
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Vinyl LP pressing, includes . Of his 12th studio album and it's enigmatic title, Destroyer's Dan Bejar offers the following Sometime last year, I discovered that the original name for InchThe Wild OnesInch (one of the great English-language ballads of the last 100 years or so) was InchKen.Inch I had an epiphany, I was physically struck by this information. In an attempt to hold on to this feeling, I decided to lift the original title of that song and use it for my own purposes. It's unclear to me what that purpose is, or what the connection is. I was not thinking about Suede when making this record. I was thinking about the last few years of the Thatcher era. Those were the years when music first really came at me like a sickness, I had it bad. Maybe InchThe Wild OnesInch speaks to that feeling, probably why Suede made no sense in America. I think InchkenInch also means Inchto know.Inch ken was produced by Josh Wells of Black Mountain, who has been the drummer in Destroyer since 2012. The album was recorded in it's entirety in the jam space/studio space that the group calls The Balloon Factory. However, unlike Poison Season, ken was not recorded as a InchbandInch record, though everyone in the band does make an appearance.
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VINYLSpecifications
- GenreRockDescriptionVinyl LP pressing, includes . Of his 12th studio album and it's enigmatic title, Destroyer's Dan Bejar offers the following Sometime last year, I discovered that the original name for InchThe Wild OnesInch (one of the great English-language ballads of the last 100 years or so) was InchKen.Inch I had an epiphany, I was physically struck by this information. In an attempt to hold on to this feeling, I decided to lift the original title of that song and use it for my own purposes. It's unclear to me what that purpose is, or what the connection is. I was not thinking about Suede when making this record. I was thinking about the last few years of the Thatcher era. Those were the years when music first really came at me like a sickness, I had it bad. Maybe InchThe Wild OnesInch speaks to that feeling, probably why Suede made no sense in America. I think InchkenInch also means Inchto know.Inch ken was produced by Josh Wells of Black Mountain, who has been the drummer in Destroyer since 2012. The album was recorded in it's entirety in the jam space/studio space that the group calls The Balloon Factory. However, unlike Poison Season, ken was not recorded as a InchbandInch record, though everyone in the band does make an appearance.ArtistDestroyerTitleKenFormatVINYLLabelMerge Records
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Vinyl LP pressing, includes . Of his 12th studio album and it's enigmatic title, Destroyer's Dan Bejar offers the following Sometime last year, I discovered that the original name for InchThe Wild OnesInch (one of the great English-language ballads of the last 100 years or so) was InchKen.Inch I had an epiphany, I was physically struck by this information. In an attempt to hold on to this feeling, I decided to lift the original title of that song and use it for my own purposes. It's unclear to me what that purpose is, or what the connection is. I was not thinking about Suede when making this record. I was thinking about the last few years of the Thatcher era. Those were the years when music first really came at me like a sickness, I had it bad. Maybe InchThe Wild OnesInch speaks to that feeling, probably why Suede made no sense in America. I think InchkenInch also means Inchto know.Inch ken was produced by Josh Wells of Black Mountain, who has been the drummer in Destroyer since 2012. The album was recorded in it's entirety in the jam space/studio space that the group calls The Balloon Factory. However, unlike Poison Season, ken was not recorded as a InchbandInch record, though everyone in the band does make an appearance.
Vinyl LP pressing. More than an arcane puzzle for the listener, Labyrinthitis warps and winds through unfamiliar territory for Bejar as well. Written largely in 2020 and recorded the following spring, the album most often finds Bejar and frequent collaborator John Collins seeking the mythic artifacts buried somewhere under the dance floor, from the glitzy spiral of InchIt Takes a ThiefInch to the Books-ian collage bliss of the title track. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery. InchJohn is in his 50s, and I'm almost there, but we used to go to clubs,Inch Bejar laughs. InchOur version may have been punk clubs, but our touchstones for the album were more true to disco.Inch
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Vinyl LP pressing. In the hallowed Destroyer discography, the early trinity of City Of Daughters, Thief and Streethawk A Seductionholds an important place; for not only does it document Dan Bejar's evolution from lo-fi bedroom tyro to bona fide master of the rock album, it also contains a massive percentage of superlative Destroyer Inchclassics.Inch 1998's City of Daughters features some of the first steps out of the demo-tapey experimentation of earlier recordings, with songs like InchComments On The World As WillInch refining the sound of that stripped-down earlier work, and the seminal InchNo Cease FiresInch offering us the first taste of just what a full-band Destroyer might conjure.
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