Diamanda Galas - Saint of the Pit - COMPACT DISCS [CD]

Komando Negro - Subiendo Escalones [COMPACT DISCS] date 10/08/2013

De-formation Piano Variations, a work for solo piano. Composed and performed by Galás in September 2019, the 21 19 minute piece is based on the expressionist poem Das Fieberspital (The Fever Hospital). Written by German poet Georg Heym in 1912, Das Fieberspital's depiction of warehoused patients of yellow fever presaged the treatment and hiding of infected and damaged soldiers later in WWI. De-formation depicts a march and delivery of maimed and infected soldiers to hospitals and industrial warehouses throughout Germany during and after the First World War. In the hospitals the maimed would receive experimental operations and the infected would be confined to protect the mental vitality, enthusiasm, and health of citizens of the State. The Piano Variations were inspired by Galás' work on the score for Das Fieberspital. In organizing the work, she realized that the piano skeleton had become it's own work, and she decided to record that in advance of the vocal work.

On June 30, 1986, the same day that Diamanda Galás's The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia's so-called sodomy law in Bowers v. Hardwick, criminalizing consensual S*x between men. At the time, about 15, 000 people were known to have died of AIDS in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of AIDS deaths globally would exceed 36 million.The first album in her Masque of the Red Death trilogy, The Divine Punishment is one of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Diamanda Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and as well as a physical representation of AIDS and those it afflicts. The album features the panphonic* dirge work of Galás, accompanied by analogue synthesizers played by Dave Hunt. The texts are primarily taken from the Old Testament, contrasting the hectoring lawmakers of Leviticus with the desperate appeals of the Lamentations and Book of Psalms (Psalm 22, 59, and 88). In doing so, she indicts those who use religion to instigate the witch hunts that inevitably accompany real and perceived plagues. Today, The Divine Punishment sounds no less audacious than when it was released in 1986, but one hears it with a sense of shared trauma and a renewed call to action. Galás imbues all her work with the crushing weight of history-the hypnotic cadences of her vocal work are precisely aligned to the liturgical texts employed. Remastered with exceptional clarity by mastering engineer Heba Kadry working from the original mixes by London-based producer/composer Dave Hunt, it's a work of great empathy, solidarity, and physical power. Coming amid another pandemic marked by ignorance and division, it's anger a