Dirty Clergy - In Waves - COMPACT DISCS [CD]

Razorlight were at the forefront of the indie-rock resurgence of the early 2000s, their biggest moments - 'Golden Touch', 'Somewhere Else', 'In The Morning', 'America' and 'Wire To Wire' - driving three Top 5 albums, nine Platinum album certifications, an NME Award, and live highlights including headlining the Reading Festival and performing at Live 8. After reuniting for live shows in 2021, the classic line-up - Johnny Borrell (vocals/guitar), Björn Ågren (guitar), Carl Dalemo (bass) and Andy Burrows (drums) - will the new album 'Planet Nowhere' on October 25th, their first together since 2008. Razorlight preview the set by sharing it's first single, 'Scared Of Nothing'. Since reuniting, Razorlight have sold-out a headline tour which included a London show at the Eventim Apollo, and played shows as guests to Muse, Kaiser Chiefs and James. But as the ever ambitious Johnny challenged himself, InchWho wants to be a greatest hits band?Inch So he hatched a plan, and late in 2023 booked a five-day session with the legendary producer Youth (The Verve, James) at his Space Mountain studio in Spain. Youth knew what they had to achieve, telling the band, InchRazorlight's quite simple isn't it? Just a driving bassline, driving drums and a story.Inch For whatever reason, things weren't that simple. After four days they had a stack of ideas, but nothing really worth pursuing. And then, as Johnny recalls, something remarkable emerged from out of nowhere. InchI'd been down in the barranca, and came back up to find the studio empty. So I picked up this weird six-string bass/guitar hybrid I'd never seen before and wrote this thing. On our last night, I started playing it with the guys. The drums came in hard, the bass pounded. It sounded like S**t. Absolute S**t. But Youth was there, saying 'Can, Velvets, see where it takes you' and 'Why don't you try it like that?' But still, the t

One of the truly great albums that helped to define the Miami Bass movement in all it's glory is South Side Pride's 1996 full-length InchHi de HoInch - featuring 14 slammin' tracks with plenty of bounce for the ounce. The album was conceived and produced by Vaughn Wilson with executive input from Mark St. Juste, another prolific bass music innovator. The album features three adventurous mixes of the infectious title track, plus a Mega Jam mix of InchRough In My Ghetto.Inch Originally released on the legendary Street Street Music tag, this classic album has been newly remastered for this exclusive .

Five of Cups opens with the title track, establishing the album's auditory and thematic modus operandi from the get-go. Holy Wave's lysergic textural palette is immediately apparent in the song's woozy synth lead and anti-gravity guitar jangle, but the atypical chord progressions and vocal melody steers the music away from anodyne escapism into a pensive grappling between self-determination and defeatism. Holy Wave continue to ride the wistful and phantasmic train on InchBog Song,Inch where the members vacillate between swells of austere minor chords and layered electric orchestration. From there, the previously released digital single InchChaparralInch plays with the band's own sense of nostalgia, weaving references of their El Paso past into a tapestry of transcendental triumph. Like so much classic album-oriented rock music, the real magic begins to unfold in the latter half of Five of Cups. On InchThe Darkest Timeline,Inch Holy Wave recruits their friends Lorena Quintanilla and Alberto Gonzalez from the Baja California, Mexico psych duo Lorelle Meets the Obsolete to add additional ethereal layers to their intoxicating after-midnight grooves. InchNothing in the DarkInch functions on a similar principle, using a steady propulsive drum pattern as the bedrock to tape-warbled synths, arpeggiated guitar chords, jet streams of fuzz, and serene vocals. Five of Cups' ruminations on combating defeat and disappointment are directly confronted on album closer InchHappier.Inch Once again straddling the melodic line between melancholy and breezy sophistication, Holy Wave examines the synthetic construct of happiness in our modern age and how so often the attainment of comfort lacks any true sense of joy. Yet this isn't some nihilistic dirge. Rather, it translates as a buoyant reminder that the bandwidth of human experience inherently requires peaks and valleys, and that euphor