Dobromir Tsenov - Complete Piano Music 1 - COMPACT DISCS [CD]
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Lubomir Pipkov (1904-74) was one of the leading members of the so-called 'second generation' of Bulgarian composers. In later life he became fascinated with the ancient heritage of Bulgarian folk-music, writing a series of what he called 'metro-rhythmical studies' - piano miniatures that combine melodic immediacy and rhythmic complexity, with a character that might be loosely characterized as sounding like 'Prokofiev in the Balkans'. These works are performed by pianist and musician photographer Dobromir Tsenov.
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- GenreClassicalDescriptionLubomir Pipkov (1904-74) was one of the leading members of the so-called 'second generation' of Bulgarian composers. In later life he became fascinated with the ancient heritage of Bulgarian folk-music, writing a series of what he called 'metro-rhythmical studies' - piano miniatures that combine melodic immediacy and rhythmic complexity, with a character that might be loosely characterized as sounding like 'Prokofiev in the Balkans'. These works are performed by pianist and musician photographer Dobromir Tsenov.ArtistDobromir TsenovTitleComplete Piano Music 1FormatCDLabelToccata
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With this volume, Dobromir Tsenov completes his survey of the solo piano music of his compatriot Lubomir Pipkov (1904-74), one of the leading members of the 'second generation' of Bulgarian composers who helped establish a national tradition of classical music, blending western forms with the rhythms of local folksong and folk-dances. The first complete recording of the piano music of his father, Panayot Pipkov (1871-1942), one of the 'first generation', sets it in context, in it's mix of folk roots and Lisztian bravura.
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Shardik - Shardik [COMPACT DISCS] date 08/25/2017
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Abram Chasins (1903-87) began his career as a pianist and composer but as broadcaster and writer soon became one of the best-known cultural commentators in the USA. His output of music for solo piano - recorded here complete for the first time - dates from his first years in the public eye, and although he made little attempt to promote it himself, one sees instantly why it was so well received at the time sweeping keyboard textures and grand Romantic gestures expressed in a style somewhere between Rachmaninov and Prokofiev, sometimes with echoes of Chopin and Gershwin. The works here range from witty character pieces, some intended for children, and affectionate tributes to other pianists to more serious abstract essays - and Chasins, too, was a member of the club of composers who wrote 24 preludes in all the major and minor keys.
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