Dordeduh - Dar De Duh - COMPACT DISCS [CD]

Gatefold 2LP (yellow transparent vinyl) with printed inner sleeves and protection sleeve (500 copies). In 2009, an uproar resounded through the Black Metal scene when Hupogrammos and Sol Faur left Negura Bunget. These visionary song-writers had given the group it's unique style, and now they were left without a band. Yet, the two musicians looked ahead and, a short while later, founded a new group in order to realise their musical visions on a grand scale Dordeduh. Dordeduh's debut single, InchValea OmuluiInch (2010), made clear that Hupogrammos and Sol Faur would keep on following the path of their former band. With their ambition to unify the layers of the soul with transcendence, they create spiritual Black Metal that encompasses Ambient passages and primal fury as well as elements of Romanian folklore and progressive Rock. On InchDar de DuhInch (English InchGift of/from the SpiritInch), their first full-length album, Dordeduh continue on their chosen path to present, after three years of work, a record that defies the usual standards of debut albums by virtue of it's musical maturity and quality. In terms of concept, the musicians build on their heritage with Negura Bunget as well - they continue the numerological concept that permeated every Negura Bunget album up to InchOm.Inch InchDar de DuhInch draws on several cultural and esoteric backgrounds to explore the number seven and it's symbolism, primarily in terms of the seven levels of spiritual development and the old Romanian tradition of personifying the seven days of the week and relating them to the seven planets of classical astrology. In spite of this theoretical approach, Dordeduh put emphasis on the fact that their musical approach is first of all an intuitive one, rather than an intellectual or rational one. Whoever listens to InchDar de DuhInch and gets lost in this album, will instantly feel that Do

Dordeduh - Dar de Duh - Special Edition [COMPACT DISCS] Special Ed date 11/13/2012

'Why arrange Boccherini concertos? To bring out the colors, rhythms, dances, melodies and countermelodies. To reinvent our roles or to exchange them like a game, from one page to another. To make us feel as if we're on a tightrope. To take advantage of the space of freedom provided by the cadenza to imagine little musical scenarios, stories within the story. Like dreams that have their own logic, their own timescale. So those dreams suddenly yet imperceptibly plunge us into repetitive music, a procession in Spain, a jazz cadenza, an opera... and then we emerge to be reunited with Boccherini, who seems to be the first to enjoy these escapades.' - Sonia Wieder-Atherton