Dozer - Rewind To Return: Rarities Singles And B-sides - VINYL LP

It would be difficult to overstate the importance of the Jones brothers Thad, Hank and Elvin on the world of jazz. Between the three of them, their performances can be heard on literally thousands of recordings, including some of the most legendary sessions ever recorded with some of the greatest artists. Post-War Detroit was really taking notes on the new sounds of jazz coming into favor and the group of former Detroiters included on this album include some of it's most virtuosic students. Thad Jones, (although he was technically from nearby Pontiac, MI) on trumpet, Kenny Burrell on guitar, Tommy Flanagan on piano and Billy Mitchell on saxophone. Jones' first for Blue Note from 1956 stands as a fantastic sounding announcement that the Detroiters had landed in New York and were about to take off. Including legendary players Shadow Wilson on Drums and Oscar Pettiford on Bass; Detroit - New York Junction, a long sought after rarity and a true testament to the importance of Detroit on the evolution of jazz music through Blue Note Records. 313 SeriesDetroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re- by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real. For an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums

Vinyl LP pressing.

Limited black, gray and white colored vinyl LP pressing. Formed in the sleepy town of Borlänge, Sweden, DOZER led the first wave of European-style stoner/desert rock, an impactful fusion of proto-metal, riff-rock and punk that blasted forth in response to the sun-baked fuzz and tectonic heft of American bands Kyuss and Fu Manchu. More than a decade since their last outing, Dozer have reawakened with a vengeance, and return with an impassioned, amp-splitting rumble of a record. Drifting in the Endless Void is a gravitational mass packed with dense instrumentation, arena-ready melodies, and contemplative restraint. Dozer still bring the tumultuous grooves that longtime fans expect, but they also pull in massive sludge, fuzzed-out doom, space-tripping grooves, red-eyed psychedelics, and whatever else they find floating in the vast cosmic expanse. Dozer's return to the musical landscape they helped shape is cause enough for celebration, but the explosive playing and fiery purpose is what makes Drifting in the Endless Void a truly unmissable experience.