Duke Otherwise - Beehives and Bedheads - COMPACT DISCS [CD]

Limited picture disc vinyl LP pressing. Original soundtrack to the holiday TV special including tracks from Chris Mann, The Bird And The Bee, Kt Tunstall, The Brian Setzer Orchestra and others. In Grumpy Cat's Worst Christmas Ever, Grumpy Cat is a lonely cat living in a mall pet shop. Because she always gets passed over by customers, this kitty develops a sour outlook on life. Until during the holidays, a very special 12-year-old girl named Chyrstal enters the pet store and falls in love with Grumpy Cat. A unique friendship is formed between the two when Chyrstal finds she is the only person who can hear the cat talk. Will Grumpy Cat learn the true meaning of Christmas, or will it be, in Grumpy's words, 'Worst. Christmas. Ever?' Album Tracks 1. It's Hard to Be a Cat on Christmas 2. Sleigh Ride 3. Jingle Bells 4. Up on the Housetop 5. Deck the Halls 6. Worst Time of Year 7. Christmastime Again 8. Carol of the Bells 9. Holiday Bells 1. Christmas Honey 2. All I Want for Christmas (Is My Two Front Teeth) 3. White Christmas 4. Grumpcracker Medley 5. A Very Grumpy Christmas 6. Play Him Off, Keyboard Cat 7. Nyan Cat Theme 8. Ain't No Sonnet

Bon Iver, Bon Iver is Justin Vernon returning to former haunts with a new spirit. The reprises are there solitude, quietude, hope and desperation compressed but always a rhythm arises, a pulse vivified by gratitude and grace notes. The winter, the legend, has faded to just that, and this is the new momentary present. Bon Iver, Bon Iver was recorded and mixed over the course of three years at April Base Studios, a remodeled veterinarians clinic located in rural Fall Creek, Wisconsin.

This is a re- of the Jazzhaus/SWR music bestseller 101703. Upon nearing the age of seventy, Duke Ellington was looked upon as the great historical figure of African American music, honored with academic degrees and appearing on the front pages of renowned magazines. Still, he had to and wanted to perform as much as he could and therefore toured the world with his orchestra, from Japan to North Africa to South America and Eastern Europe. During his travels, he was able to stop off in Stuttgart in March 1967 to present a colorful mixed programme made up of a few tried-and-true pieces and many lesser-known compositions. By Ellington's standards, it was a modern concert, exuberant in mood and at times mischievous in arrangements, which allowed some shrill coloring. And it also showed that even an ultimately traditional jazz orchestra in the rocky sixties could develop enough charisma to enthrall an audience like that in the Liederhalle. The revolutions were now being made by others, but Duke Ellington remained the brilliant master of the grand musical gesture.