
A unique recital on record, for a hauntingly beautiful instrumental combination, featuring several first recordings. The duo of trumpet and organ is a wellestablished one, having attracted composers from the early Baroque period onwards. The combination of flute and organ, while requiring careful balancing so that the organ does not overwhelm the flute, is no less attractive in it's way, and has drawn from composers a more varied palette of expression. This new album is made by a duo of Piedmontese musicians who have explored the riches of the flute-and-organ repertoire to come up with a balanced selection of pieces written by 20th- and 21st-century composers on both sides of the Atlantic. Duo Les Brumes begin with an undoubted masterpiece the Sonata da Chiesa which the Swiss composer Frank Martin originally composed in 1939 for viola d'amore and organ. Because his Dutch wife Maria Boeke was an excellent flautist, he also produced a version for flute and organ in 1941. The sonata's three sections enclose a sequence of gentle, neoclassical dance movements between two reflective slow movements. The album's other substantial work is Ain Karim, a fantasia composed in 1995 by the Swiss organist-composer Daniel Roth. Aïn Karim is the name of the place near Jerusalem where Mary, mother of Jesus, is thought to have visited her cousin Elisabeth and spoken the words of the 'Magnificat'. Daniel Roth has taken part of this text ('He puts down the mighty from their seat and exalts the humble and meek') to emphasise the contrast between the 'small' flute and the 'monumental' organ. In between, Duo Les Brumes present a gallery of vividly coloured miniatures a suite of Four Pieces composed in 1962 by the Austrian composer Augustin Franz Kropfreiter (1936-2003), within the same kind of 'modern neoclassical' vein as Martin's Sonata da Chiesa; then Five Pieces by Jean Langlais, more e
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A unique recital on record, for a hauntingly beautiful instrumental combination, featuring several first recordings. The duo of trumpet and organ is a wellestablished one, having attracted composers from the early Baroque period onwards. The combination of flute and organ, while requiring careful balancing so that the organ does not overwhelm the flute, is no less attractive in it's way, and has drawn from composers a more varied palette of expression. This new album is made by a duo of Piedmontese musicians who have explored the riches of the flute-and-organ repertoire to come up with a balanced selection of pieces written by 20th- and 21st-century composers on both sides of the Atlantic. Duo Les Brumes begin with an undoubted masterpiece the Sonata da Chiesa which the Swiss composer Frank Martin originally composed in 1939 for viola d'amore and organ. Because his Dutch wife Maria Boeke was an excellent flautist, he also produced a version for flute and organ in 1941. The sonata's three sections enclose a sequence of gentle, neoclassical dance movements between two reflective slow movements. The album's other substantial work is Ain Karim, a fantasia composed in 1995 by the Swiss organist-composer Daniel Roth. Aïn Karim is the name of the place near Jerusalem where Mary, mother of Jesus, is thought to have visited her cousin Elisabeth and spoken the words of the 'Magnificat'. Daniel Roth has taken part of this text ('He puts down the mighty from their seat and exalts the humble and meek') to emphasise the contrast between the 'small' flute and the 'monumental' organ. In between, Duo Les Brumes present a gallery of vividly coloured miniatures a suite of Four Pieces composed in 1962 by the Austrian composer Augustin Franz Kropfreiter (1936-2003), within the same kind of 'modern neoclassical' vein as Martin's Sonata da Chiesa; then Five Pieces by Jean Langlais, more e

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited 180 gram vinyl LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, InchWhen Doves CryInch and InchLet's Go CrazyInch, topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA. Album Tracks 1. Let's Go Crazy 2. Take Me with U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 1. When Doves Cry 2. I Would Die 4 U 3. Baby I'm a Star 4. Purple Rain

Limited 180 gram vinyl LP pressing. The Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust. The album tells the story of Ziggy, a rock star who acts as a messenger for extraterrestrial beings. The album, and the character of Ziggy Stardust, was known for it's glam rock influences and themes of sexual exploration and social commentary. These factors, coupled with the ambiguity surrounding Bowie's sexuality and fuelled by a ground-breaking performance of InchStarmanInch on Top of the Pops led to the album being met with controversy and since hailed as a seminal work. The Rise and Fall of Ziggy Stardust and the Spiders From Mars has been consistently considered one of the greatest albums of all time, with Rolling Stone magazine ranking it the 35th greatest ever. Album Tracks 1. Five Years (2012 Remastered Version) 2. Soul Love (2012 Remastered Version) 3. Moonage Daydream (2012 Remastered Version) 4. Starman (2012 Remastered Version) 5. It Ain't Easy (2012 Remastered Version) 1. Lady Stardust (2012 Remastered Version) 2. Star (2012 Remastered Version) 3. Hang on to Yourself (2012 Remastered Version) 4. Ziggy Stardust (2012 Remastered Version) 5. Suffragette City (2012 Remastered Version) 6. Rock 'N' Roll Suicide (2012 Remastered Version)
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