
Alexei Lubimov has long been renowned for his beautifully weighted and persuasive performances of new music, especially from his native Russia, by post-Soviet composers such as Sofia Gubaidulina, Alfred Schnittke and Valentin Silvestrov. He is a restless seeker after beauty in music wherever it may be found, equally at home in music as diverse as Chopin, Debussy, Pärt and Cage. His interest in historically relevant instruments for historical repertoire stretches back decades to a time, especially in the Soviet Union, when such an interest was unusual and even eccentric to some, but Lubimov has always been a pianist of profound integrity who goes his own way without regard to passing fashions. It is in this capacity, as a fortepianist, that Lubimov has made a distinguished contribution to the ongoing Brilliant Classics series dedicated to the complete sonatas of Jan Ladislav Dussek. As he writes in a booklet essay, the two sonatas Op.44 and Op.77 belong to the mature and most original of Dussek's works. Composed in 1799, Op.44 is a truly fin-de-siècle work, not coincidentally subtitled 'Farewell', with bold modulations that cast their gaze forward into a vision of the Romantic age as much as the rhetorical structures belong to the Classical era of Haydn and Mozart. The emotional candor, the romantic impulse and the depressive melancholy in Dussek's presentiment of his coming death make the Op.77 Sonata (L'Invocation') an even more entrancing anticipation of the world of Chopin. For a fusion of Baroque gestures, Classical sonata forms, novelty and expression of the melodic contours, the richness of the piano writing and the boldness in the use of all possible resources of the instrument, there's no-one quite like Dussek, and Alexei Lubimov is a peerless exponent of his expressive world. The continuation of an exciting new project the recording of the complete piano son
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Alexei Lubimov has long been renowned for his beautifully weighted and persuasive performances of new music, especially from his native Russia, by post-Soviet composers such as Sofia Gubaidulina, Alfred Schnittke and Valentin Silvestrov. He is a restless seeker after beauty in music wherever it may be found, equally at home in music as diverse as Chopin, Debussy, Pärt and Cage. His interest in historically relevant instruments for historical repertoire stretches back decades to a time, especially in the Soviet Union, when such an interest was unusual and even eccentric to some, but Lubimov has always been a pianist of profound integrity who goes his own way without regard to passing fashions. It is in this capacity, as a fortepianist, that Lubimov has made a distinguished contribution to the ongoing Brilliant Classics series dedicated to the complete sonatas of Jan Ladislav Dussek. As he writes in a booklet essay, the two sonatas Op.44 and Op.77 belong to the mature and most original of Dussek's works. Composed in 1799, Op.44 is a truly fin-de-siècle work, not coincidentally subtitled 'Farewell', with bold modulations that cast their gaze forward into a vision of the Romantic age as much as the rhetorical structures belong to the Classical era of Haydn and Mozart. The emotional candor, the romantic impulse and the depressive melancholy in Dussek's presentiment of his coming death make the Op.77 Sonata (L'Invocation') an even more entrancing anticipation of the world of Chopin. For a fusion of Baroque gestures, Classical sonata forms, novelty and expression of the melodic contours, the richness of the piano writing and the boldness in the use of all possible resources of the instrument, there's no-one quite like Dussek, and Alexei Lubimov is a peerless exponent of his expressive world. The continuation of an exciting new project the recording of the complete piano son

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

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Limited splatter colored vinyl LP pressing. Meteora, Linkin Park's ground-breaking second album, was released in March 2003 and includes the global hit singles InchSomewhere I BelongInch, InchFaintInch, InchNumbInch, InchBreaking The HabitInch and InchFrom The Inside.Inch It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries.