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Dusseldorfer Symphoniker Fischer - Symphony 6 in a Minor - COMPACT DISCS [CD]

SKU: 10559791

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Adam Fischer writes InchIn the Düsseldorf Tonhalle in late February and early March 2020, we gave Mahler's Sixth Symphony in three live concert performances which we recorded for this album. This date in the calendar had special significance the first lockdown period due to the Corona pandemic set in immediately thereafter. The orchestra was playing in full line-up in front of a full house for the last time for a long while. The mood was ominous we all felt something was amiss, and the next day everything had to be cancelled. We strongly associate those circumstances with our work on the Sixth, and with the foreboding we felt of a catastrophe that has since ruined the livelihoods of many musician colleagues and deprived us all of a meaningful period in our lives. Mahler's Sixth is always a major event for the orchestra and for the audience. One leaves the concert hall weary and exhausted; time is required to regain one's composure. This symphony requires a gigantic orchestra here, once more, Mahler was attempting to stretch the boundaries of what was possible in his day. Not to achieve a mere effect, but simply because he needed such a gigantic instrumental apparatus to express his feelings. The sheer amount of emotions we deal with in this symphony is almost unbearable. The controversial third hammer blow provides a good example Mahler most certainly crossed it out after a rehearsal, overcome by emotion, afraid of dying. In his very bones he thought and felt that this symphony would prompt his demise...Inch

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  • Genre
    Classical
    Description
    Adam Fischer writes InchIn the Düsseldorf Tonhalle in late February and early March 2020, we gave Mahler's Sixth Symphony in three live concert performances which we recorded for this album. This date in the calendar had special significance the first lockdown period due to the Corona pandemic set in immediately thereafter. The orchestra was playing in full line-up in front of a full house for the last time for a long while. The mood was ominous we all felt something was amiss, and the next day everything had to be cancelled. We strongly associate those circumstances with our work on the Sixth, and with the foreboding we felt of a catastrophe that has since ruined the livelihoods of many musician colleagues and deprived us all of a meaningful period in our lives. Mahler's Sixth is always a major event for the orchestra and for the audience. One leaves the concert hall weary and exhausted; time is required to regain one's composure. This symphony requires a gigantic orchestra here, once more, Mahler was attempting to stretch the boundaries of what was possible in his day. Not to achieve a mere effect, but simply because he needed such a gigantic instrumental apparatus to express his feelings. The sheer amount of emotions we deal with in this symphony is almost unbearable. The controversial third hammer blow provides a good example Mahler most certainly crossed it out after a rehearsal, overcome by emotion, afraid of dying. In his very bones he thought and felt that this symphony would prompt his demise...Inch
    Artist
    Dusseldorfer Symphoniker Fischer
    Title
    Symphony 6 in a Minor
    Format
    CD
    Label
    Avi
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Dusseldorfer Symphoniker Fischer - Symphony 6 in a Minor   - COMPACT DISCS [CD]
Dusseldorfer Symphoniker Fischer - Symphony 6 in a Minor - COMPACT DISCS [CD]

Adam Fischer writes InchIn the Düsseldorf Tonhalle in late February and early March 2020, we gave Mahler's Sixth Symphony in three live concert performances which we recorded for this album. This date in the calendar had special significance the first lockdown period due to the Corona pandemic set in immediately thereafter. The orchestra was playing in full line-up in front of a full house for the last time for a long while. The mood was ominous we all felt something was amiss, and the next day everything had to be cancelled. We strongly associate those circumstances with our work on the Sixth, and with the foreboding we felt of a catastrophe that has since ruined the livelihoods of many musician colleagues and deprived us all of a meaningful period in our lives. Mahler's Sixth is always a major event for the orchestra and for the audience. One leaves the concert hall weary and exhausted; time is required to regain one's composure. This symphony requires a gigantic orchestra here, once more, Mahler was attempting to stretch the boundaries of what was possible in his day. Not to achieve a mere effect, but simply because he needed such a gigantic instrumental apparatus to express his feelings. The sheer amount of emotions we deal with in this symphony is almost unbearable. The controversial third hammer blow provides a good example Mahler most certainly crossed it out after a rehearsal, overcome by emotion, afraid of dying. In his very bones he thought and felt that this symphony would prompt his demise...Inch

Dusseldorfer Symphoniker Fischer - Symphony 2   - COMPACT DISCS [CD]

The much acclaimed series of the complete Mahler Symphonies with the Düsseldorf Symphonic under the baton of Ádám Fischer gets more complete with the of the Symphony No. 2. Ádám Fischer writes InchMahler's Second Symphony has special significance for me... The first reason is biographical. Mahler finished writing the first movement in Budapest where he was musical director at the opera. When I was likewise general music director at Budapest Opera, I imagined that Mahler had sat in the same room and gotten angry over the same things as I did. Work at the opera must have been so nerve-wracking that he found no time for anything else. I can only confirm that. A second thought leads me to Haydn. We know that famous quote from Hans von Bülow, who is reported to have exclaimed that Wagner's Tristan, compared with the first movement of Mahler's Second Symphony, was as tame as a Haydn symphony. This mainly leads me to think that von Bülow was probably not yet aware of the direct connection that leads from Haydn to Mahler, which I sense. As far as I am concerned, Mahler is just as much a part of Vienna Classicism as Haydn. The third personal story has to do with the third movement, which is based on Mahler's song Saint Anthony of Padua's Sermon to the Fishes. For the past thirty years I have been working in favor of a series of human and citizens' rights organizations. I find that no other piece better describes the dilemma experienced by these organizations and movements than Mahler's song.Inch

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