E. Satie - Socrate / Cheap Imitation - COMPACT DISCS [CD]
About This Item
- Details
- Genre: Classical
- Description: The aestetic of this work is dedicated to clarity; simplicity accompanies, directs it. That is all. I wanted nothing more. This is the way Satie concluded a short text on his InchSocrateInch, with which he presented the work he had finished in 1918 to the public. The text to this Inchsymphonic dramaInch was compiled from three dialogues of Plato by Satie (Symposium, Phaedrus and Phaedo) which in some way represented Socrates' person and character biographically. The reproduction of the four male roles by one female voice suited Satie's aestetic purposes, because it helped to clearly limit the distance between text and listener, between past and present. The booklet of the CD is supplied with the complete texts of the three parts in French, German and English. John Cage, who has been propagating Satie's music his life long and who has repeatedly referred to Satie in his own work, created his InchCheap ImitationInch in 1969. He subjected the entire score of InchSocrateInch to a type of metamorphosis with the aid of chance processes which had become characteristic for his compositions since the early 50s. The result was an almost completely one-voice composition, which in a certain way underlined Satie's striving for transparency, unadornment and clarity. Hilke Helling alto / Deborah Richards piano / Herbert Henck piano. Album Tracks 1. Socrate I. Portrait of Socrates - Hilke Helling/Deborah Richards 2. Socrate II. the Banks Od the Ilissus - Hilke Helling/Deborah Richards 3. Socrate III. Socrates' Death - Hilke Helling/Deborah Richards 4. Cheap Imitation I. 1/4NT=60 - Herbert Henk 5. Cheap Imitation II. 1/4NT=60 - Herbert Henk 6. Cheap Imitation III. 1/4NT=72 - Herbert Henk
- Artist: E. Satie
- Title: Socrate / Cheap Imitation
- Format: CD
- Label: Wergo Germany
- Release Date: 07/06/1993
- Genre: Classical
- Other
- Product Name: E. Satie - Socrate / Cheap Imitation - COMPACT DISCS
- UPC: 4010228618624
The aestetic of this work is dedicated to clarity; simplicity accompanies, directs it. That is all. I wanted nothing more. This is the way Satie concluded a short text on his InchSocrateInch, with which he presented the work he had finished in 1918 to the public. The text to this Inchsymphonic dramaInch was compiled from three dialogues of Plato by Satie (Symposium, Phaedrus and Phaedo) which in some way represented Socrates' person and character biographically. The reproduction of the four male roles by one female voice suited Satie's aestetic purposes, because it helped to clearly limit the distance between text and listener, between past and present. The booklet of the CD is supplied with the complete texts of the three parts in French, German and English. John Cage, who has been propagating Satie's music his life long and who has repeatedly referred to Satie in his own work, created his InchCheap ImitationInch in 1969. He subjected the entire score of InchSocrateInch to a type of metamorphosis with the aid of chance processes which had become characteristic for his compositions since the early 50s. The result was an almost completely one-voice composition, which in a certain way underlined Satie's striving for transparency, unadornment and clarity. Hilke Helling alto / Deborah Richards piano / Herbert Henck piano. Album Tracks 1. Socrate I. Portrait of Socrates - Hilke Helling/Deborah Richards 2. Socrate II. the Banks Od the Ilissus - Hilke Helling/Deborah Richards 3. Socrate III. Socrates' Death - Hilke Helling/Deborah Richards 4. Cheap Imitation I. 1/4NT=60 - Herbert Henk 5. Cheap Imitation II. 1/4NT=60 - Herbert Henk 6. Cheap Imitation III. 1/4NT=72 - Herbert Henk
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The aestetic of this work is dedicated to clarity; simplicity accompanies, directs it. That is all. I wanted nothing more. This is the way Satie concluded a short text on his InchSocrateInch, with which he presented the work he had finished in 1918 to the public. The text to this Inchsymphonic dramaInch was compiled from three dialogues of Plato by Satie (Symposium, Phaedrus and Phaedo) which in some way represented Socrates' person and character biographically. The reproduction of the four male roles by one female voice suited Satie's aestetic purposes, because it helped to clearly limit the distance between text and listener, between past and present. The booklet of the CD is supplied with the complete texts of the three parts in French, German and English. John Cage, who has been propagating Satie's music his life long and who has repeatedly referred to Satie in his own work, created his InchCheap ImitationInch in 1969. He subjected the entire score of InchSocrateInch to a type of metamorphosis with the aid of chance processes which had become characteristic for his compositions since the early 50s. The result was an almost completely one-voice composition, which in a certain way underlined Satie's striving for transparency, unadornment and clarity. Hilke Helling alto / Deborah Richards piano / Herbert Henck piano. Album Tracks 1. Socrate I. Portrait of Socrates - Hilke Helling/Deborah Richards 2. Socrate II. the Banks Od the Ilissus - Hilke Helling/Deborah Richards 3. Socrate III. Socrates' Death - Hilke Helling/Deborah Richards 4. Cheap Imitation I. 1/4NT=60 - Herbert Henk 5. Cheap Imitation II. 1/4NT=60 - Herbert Henk 6. Cheap Imitation III. 1/4NT=72 - Herbert Henk
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