Earthball - Actual Earth Music, Vol. 3 And 4 - VINYL LP
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Earthball - Actual Earth Music, Vol. 3 And 4 [VINYL LP] date 07/31/2026
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- GenreRockDescriptionEarthball - Actual Earth Music, Vol. 3 And 4 [VINYL LP] date 07/31/2026ArtistEarthballTitleActual Earth Music, Vol. 3 And 4FormatVINYLLabelUpset the Rhythm
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Earthball - Actual Earth Music, Vol. 3 And 4 [VINYL LP] date 07/31/2026

Limited transparent yellow and gold colored vinyl LP pressing. This is a re-issue of the 'Chapters Of Misery' EP from Slaughter to Prevail, originally released in 2015. This limited run features a previously unreleased bonus track and exclusive artwork done by Par Olofsson (The Faceless - Planetary Duality).

Limited red colored vinyl LP pressing. 2026 . Temple Balls, the high-octane hard rock band from Finland, is back with a brand-new self-titled album. Over the past few years, the band has kept busy both in the studio and on the road, solidifying their reputation as one of the most exciting live acts in the genre. Having opened for legendary acts such as Sonata Arctica, Queen, Deep Purple, and Uriah Heep, Temple Balls have proven they can command any stage-whether it's a massive festival or an intimate club. Their live shows are explosive, turning skeptics into die-hard fans with their raw energy and undeniable charisma. Now, with their new self-titled album, Temple Balls continue the sonic evolution started with Avalanche, delivering an even more personal and refined sound. Once again produced by Jona Tee, the album boasts anthemic choruses, high-energy guitar work, and a thunderous rhythm section-classic Temple Balls, but bolder and better.
![Artis-Quartett Wien - Rossler: Sextet, Op. 16; Piano Quintet, Op. 28 - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/cd44313b-02e9-47c4-85c2-e9c25db07298.jpg;maxHeight=422;maxWidth=264?format=webp)
A new name appears in our collection of rarities Richard Roßler, born in 1880 in Riga, the Latvian capital, trained at the Berlin Music Academy and later highly esteemed there as a professor of piano from 1918 to 1953, was one of those late-Romantic composers deeply influenced by Johannes Brahms. Unlike his Hungarian contemporary Bela Bartok, Roßler remained steadfastly loyal to the worldview of his great role model. When he realized, around 40, that aesthetic developments were passing him by, he limited his output to a few occasional pieces. This is all the more regrettable, as the two newly recorded works here reveal a significant and profound talent capable of creating distinctive characters using traditional musical means.
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