Editrix - Editrix Ii: Editrix Goes To Hell - VINYL LP

Editrix is a Massachusetts-rooted trio known for their wild, gnarly take on experimental rock. Blending jagged guitar riffs, unpredictable rhythms, and bursts of cartoonish eccentricity, the band creates a sound that's both chaotic and compelling. Composed of singer and guitarist Wendy Eisenberg, drummer Josh Daniel, and bassist Steve Cameron, Editrix thrives on musical risk-taking, often veering into noise-rock territory with a playful edge. On their latest , The Big E, Editrix unleashes their fangs, resulting in a demonic wall of scuzz. But for as intense as Editrix sounds, the act is convivial and easygoing - ingrained in deep friendships and speedy, yet jovial recording sessions. Editrix's most pummeling moments seem to be founded on a heartfelt connection, adding emotional resonance to their most feral noise.In the three years since their second LP Editrix II, Eisenberg, Daniel, and Cameron have thrived in individual states of motion - in and away from music. New York City-based Eisenberg is an accomplished solo artist in the avant-garde realm, receiving recent acclaim for their album Viewfinder (released by American Dreams in 2024). They are also a prolific collaborator, performing in a handful of projects alongside the likes of romantic partner more eaze, Bill Orcutt, David Grubbs, and others. Cameron relocated from Massachusetts to New York City around the same time Editrix II came out, taking a slight step away from music to return to school. Daniel is the only member of Editrix left living in Massachusetts, and performs with the eclectic bands Landowner, Hot Dirt, and The Leafies. Due to Editrix being scattered, the band's new album, The Big E, found them toying with a fresh process. Editrix was quick to write off the idea of collaborating remotely, as the act relishes the warmth of happy accidents that only happen in person. The Big E sparked with Eisenber

Pom Poko is a Norwegian band renowned for their eclectic blend of indie rock, punk, and pop sensibilities. Formed in Trondheim in 2016, the quartet consists of Ragnhild Fangel, Martin Miguel Tonne, Ola Djupvik, and Jonas Krøvel. Since their inception, they've released two critically acclaimed albums and mesmerizing live performances, solidifying their status as one of Norway's most exciting musical exports. Their third album Champion features their dynamic soundscapes, characterized by energetic rhythms, intricate guitar work, and Fangel's distinctive vocals, which have garnered widespread acclaim. With influences ranging from art-rock to jazz, Pom Poko's music defies genre boundaries, delivering a fresh and innovative sonic experience. Speaking of the record, the band said... InchThis record is a kind of experiment to see what happens when the four of us in Pom Poko make music without any input from the world around us, from the first idea of a song until the last note is recorded. This time, we've recorded and produced absolutely everything ourselves, a process that has been surprisingly comfortable. With this album, we landed, almost unconsciously, on the fact that the songs needed more space and less fussiness in the production than what we've been drawn to before. The songs also feel slightly more concise and focused on this album, perhaps, in addition to the lyrics telling more or less understandable stories - about connection, relationships, weird situations, hopes, and dreams. We were generally drawn to trying out some new things on this record, so this is the first time we've sent music to be mixed abroad, specifically to mixer and producer Ali Chant in Bristol. His clear and straightforward style suits the music very well and really brings out the songs as they are, without unnecessary frills. All in all, this feels like our most mature album so far, but hop

Brilliant Corners is an exceptional example of Monk's distinctive approach to jazz, which was characterized by angular melodies, unusual chord progressions, complex rhythms, and an idiosyncratic sense of timing. The title track, InchBrilliant Corners,Inch for example, was so intricate that it took multiple takes to complete, and the musicians found it challenging to follow it's unconventional structure. This difficulty speaks to Monk's originality and his pushing the boundaries of what jazz could be at the time. The LP is one of Thelonious Monk's most acclaimed and influential albums, recorded in 1956 and released in 1957. It stands as a cornerstone in Monk's discography, showcasing his innovative approach to jazz composition and performance, and is often regarded as one of his finest works. Upon it's , Brilliant Corners was met with widespread critical acclaim and remains a significant album in jazz history and helped solidify Monk's status as one of the great innovators of modern jazz. It was a breakthrough album for Monk commercially as well, attracting attention from jazz critics and listeners who were beginning to appreciate his genius more widely. Today, Brilliant Corners is considered an essential jazz record, often cited as one of the greatest jazz albums of all time musicians like Ornette Coleman, Cecil Taylor, and Eric Dolphy were influenced by Monk's ability to push the boundaries of jazz without losing it's essence. The album is not just a masterwork in Thelonious Monk's discography but a pivotal moment in the evolution of modern jazz.