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The EHX Flatiron Fuzz is a classic op-amp powered fuzz-distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2(TM) pedal, only we think it's better. The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones. The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron. The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy. Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal. The RAT2 is a trademark of Act Audio. Features: · Classic op-amp powered fuzz/distortion · Delivers symmetrical hard clipping · As you turn down your guitar volume, it cleans up, but not all the way · Unique filter control · Compact, pedalboard-friendly design · Features True Bypass for maximum signal path integrity in bypass mode · 9V battery included
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The EHX Flatiron Fuzz is a classic op-amp powered fuzz-distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2(TM) pedal, only we think it's better. The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones. The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron. The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy. Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal. The RAT2 is a trademark of Act Audio. Features: · Classic op-amp powered fuzz/distortion · Delivers symmetrical hard clipping · As you turn down your guitar volume, it cleans up, but not all the way · Unique filter control · Compact, pedalboard-friendly design · Features True Bypass for maximum signal path integrity in bypass mode · 9V battery included

Electro-Harmonix Nano Metal Muff Distortion with Noise Gate. Built for the player who demands nothing less than hard-hitting distortion and an intense, aggressive sound! The EHX Nano Metal Muff was built for the player who demands nothing less than hard-hitting distortion and an intense, aggressive sound. It’s a combination of weaponized distortion and an extremely powerful EQ section that provides all the flexibility and tone-shaping needed to dial in an array of ultra-heavy sounds. The Nano Metal Muff’s newly designed noise gate is a superb addition to this high-gain pedal and eliminates unwanted hum when you stop playing. It features a noise floor threshold control (GATE) and its own LED to indicate when the gate is engaged. A compact footprint and intelligent, straightforward controls complete the picture. Product Highlights: Voiced for the heavy metal player. Compact, pedalboard friendly footprint. Extensive EQ control: Bass +/- 14dB of cut or boost, Mid +/- 15dB and Treble +/- 10dB. VOL (volume) sets the pedal’s output volume level. DIST adjusts input gain and distortion. Noise gate eliminates unwanted noise and includes an LED to indicate when the output signal is muted. 9V battery included. Product Features: Volume Knob: Sets the overall output level. Gate Knob: Removes unwanted hum by adjusting the noise floor threshold. The gate mutes the OUTPUT jack when the signal at the INPUT jack is below the threshold setting of the GATE knob. As GATE is turned clockwise, a louder guitar signal at the input jack is required to unmute the OUTPUT jack. Set GATE fully counter-clockwise to disable. Distortion Knob: Adjusts the amount of distortion and saturation. Turn clockwise for more saturation. Treble Knob: Provides up to 10dB of cut and boost in the treble frequency range. Mid Knob: Provides up to 15dB of cut and boost in the middle frequency range. Bass Knob: Provides up to 14dB of cut and boost in the bass frequency range. Output Jack: The 1/4" jack is the audio output from the Nano Metal Muff. In Bypass mode, the OUTPUT jack is connected to the INPUT jack through a buffer circuit. The output impedance at the OUTPUT jack is 600Ω. Input Jack: This 1/4" jack is the audio input to the Nano Metal Muff. The input impedance presented at the INPUT jack is 1MΩ. Bypass Footswitch and Status LED: Toggles the Nano Metal Muff between effect and buffered bypassed. The STATUS LED lights when the pedal is engaged. Product Specifications: Circuit: Analog. Bypass: Buffered Bypass. Audio: Mono. Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included). Dimensions (in): 4.5 x 2.75 x 2.1. Current Draw: 24mA. Year Released: 2021. UPC: 683274012322.

Electro-Harmonix Bass Clone Bass Chorus Pedal. A bass chorus inspired by the legendary Small Clone, optimized for bass and low-end clarity! The EHX Bass Clone Chorus pedal’s core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone’s Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top. Product Highlights: Compact chorus based on the legendary Small Clone with added features for bass. Provides precise sound shaping control for a tight, focused sound with a well-defined low end and shimmering chorus on top. Delivers an accurately articulated bottom end with excellent note definition. True bypass switching for maximum signal path integrity when in bypass mode. Tough, compact die-cast package. 9V battery included. Product Features: Depth Knob: Controls the amount of modulation. Rate Knob: Controls the speed of modulation. Bass Knob: Boosts or cuts low end from the dry half of the effect signal. Treble Knob: Boosts or cuts high end from the mixed effect signal. X-Over: Cuts low end from the modulated half of the signal when switch is facing up. Amp Jack: The AMP jack outputs the Bass Clone's audio signal. Input Jack: Plug your instrument or the output of another effects pedal into this 1/4" jack. Footswitch & Status LED: The red LED illuminates when the effect is engaged. Press the footswitch to toggle between effect on and true bypass mode. Product Specifications: Circuit: Analog. Bypass: True Bypass. Audio: Mono. Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included). Dimensions (in): 4.5 x 2.75 x 2.1. Current Draw: 15mA. Year Released: 2016. UPC: 683274011844.

Circuit design by Black Arts Toneworks Pedal Guru Mark Wentz. Versatile 3 Band Parametric EQ for expressive tone shaping.