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The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker cone, a loose tube or a faulty channel on a recording console. When you crank the fuzz up the sound is transformed. It's a modern and monumental with a searing, fully saturated, fuzz tone. The Ripped Speaker's RIP knob is a bias control which sets the amount of clipping at the top and bottom of the signal wave form. It adds a lot of versatility and lets you tailor the character of the fuzz. Noon is neutral, a position where the fuzz is perfectly biased... fat, with a great low end and top end bite without being harsh. As you turn the knob clockwise the pedal produces a hard gating effect, and the signal sputters and chokes. It's great for creating a dying battery effect. Turning the knob CCW produces yet a different style of fuzz with a smoother gating effect where the signal fades out quickly. The Ripped Speaker's TONE control is active and delivers a tilt-shift type EQ. That means at noon the EQ is flat. As you turn the knob counter-clockwise the frequency response gets darker with more pronounced lows and less highs. Going clockwise yields a brighter tone with more highs and rolled back lows. The Ripped Speaker features true bypass switching, comes equipped with a 9V battery and accepts a standard EHX 9 Volt power supply. Features: · Versatile pedal delivers fuzz that goes from old school to modern · Bias control · Active tone control · True bypass switching
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The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker cone, a loose tube or a faulty channel on a recording console. When you crank the fuzz up the sound is transformed. It's a modern and monumental with a searing, fully saturated, fuzz tone. The Ripped Speaker's RIP knob is a bias control which sets the amount of clipping at the top and bottom of the signal wave form. It adds a lot of versatility and lets you tailor the character of the fuzz. Noon is neutral, a position where the fuzz is perfectly biased... fat, with a great low end and top end bite without being harsh. As you turn the knob clockwise the pedal produces a hard gating effect, and the signal sputters and chokes. It's great for creating a dying battery effect. Turning the knob CCW produces yet a different style of fuzz with a smoother gating effect where the signal fades out quickly. The Ripped Speaker's TONE control is active and delivers a tilt-shift type EQ. That means at noon the EQ is flat. As you turn the knob counter-clockwise the frequency response gets darker with more pronounced lows and less highs. Going clockwise yields a brighter tone with more highs and rolled back lows. The Ripped Speaker features true bypass switching, comes equipped with a 9V battery and accepts a standard EHX 9 Volt power supply. Features: · Versatile pedal delivers fuzz that goes from old school to modern · Bias control · Active tone control · True bypass switching

The Donner Arena2000 Multi-effects Processor features FAVCM technology and high-precision 24 bit/44.1 kHz audio processing to deliver rich, delicate sounds without the “plastic taste” typical of digital effects, offering layered tones to express real emotions. It includes 278 effect types: 100 classic effect simulations, 80 amp simulations, and 50 cabinet simulations, covering everything from urban pop to thrash metal. With 50 built-in IRs, 50 slots for third-party IRs, and a resolution of up to 23.2 ms, it precisely restores tone and spatial authenticity. The Arena2000 is ideal for solo performers, featuring 40 drum rhythms, a 60-second looper, headphone output for late-night practice, and OTG compatibility for recording via phone. It also includes customizable CTRL mode, dual expression pedals for real-time parameter adjustment, Arena2000 CONTROL software for editing via computer or mobile, Aux In, MIDI In, XLR L/R outputs, and Cab Sim output switching for versatile live performance setups. Recommended headphone impedance is 32-64 ohms, and the product does not include a battery compartment.

Unleash your creativity with the BOSS ME-90 Multi-Effects Guitar Pedal, the most advanced ME-series processor to date. Built on the legendary BOSS GT-series sound engine, the ME-90 packs 97 high-quality effects, 11 AIRD amp models, IR loading, and a looper into a streamlined, ultra-portable design. Whether you’re a beginner learning the ropes or a seasoned guitarist seeking a versatile gigging unit, this pedalboard is designed to deliver professional sound with ease. The intuitive stompbox-style interface makes tone crafting simple — just twist a knob, stomp a switch, and play. Toggle between pedal-style Manual Mode or preset-driven Memory Mode, and take full control with eight rugged footswitches and a redesigned expression pedal. With flagship-grade 32-bit processing, 48kHz sampling, and USB-C connectivity, your sound stays clear, dynamic, and studio-ready. Perfect for live performers and home recordists alike, the ME-90 offers multiple power options (AA batteries or AC adapter), a lightweight but durable chassis, and seamless integration with BOSS Tone Studio and Tone Central for patch editing and downloading pro-created tones. From vintage-inspired warmth to modern high-gain crunch, shimmering modulations, and atmospheric delays, the ME-90 gives you everything you need to define your sound — anywhere you play.

The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.