Elettra Storm - Powerlords - COMPACT DISCS [CD]

2017 . Ignite My Insanity is the sophomore from the super-group comprised of Sevendust guitarist John Connolly, Alter Bridge/Creed drummer Scott Phillips, Sevendust bassist Vinnie Hornsby and Tremonti guitarist Eric E-ROCK Friedman and is the long awaited follow-up to their 2012 self-released debut album Human.

Elettra Storm - Evertale [COMPACT DISCS] date 10/24/2025

Following the of Eric Chenaux's last album Say Laura (2022), The Guardian wrote Inchthe Canadian songwriter has one of the all-time great singing voices in popular music, an intensely romantic Chet Baker-ish instrument that seems to float with piercing direction, like a paper aeroplane thrown hard through mist.Inch With Uncut describing his songcraft Inchas delicate and lovely as a rare orchidInch and Record Collector praising the album's Inchsublime alien balladryInch such are the accolades that have accrued to Chenaux's unique and consummately uncompromising solo music for well over a decade now.Delights Of My Life opens a new chapter for the singer/guitarist and formally introduces the Eric Chenaux Trio, with Toronto-based musicians Ryan Driver on Wurlitzer organ and Phillipe Melanson on electronic percussion. Driver is a longtime collaborator, appearing on several of Chenaux's solo albums (even embedded into the very title of the 2010 masterpiece Warm Weather With Ryan Driver). Melanson has a long list of involvements that include Bernice, Joseph Shabason, and U.S Girls, and a recent with his Impossible Burger project on Chenaux's own experimental tag Rat-drifting, but this marks the first fulsome involvement between the two as players on a recording.In many ways Delights Of My Life also picks up right where Chenaux's previous album left off, in it's subversions of a classic, timeless jazz-inflected balladry, while the interplay of the trio formation indeed unfurls many new delights. Recording together at Chenaux's spartan home studio in rural France, Driver's harmonically warped organ and Melanson's electroacoustic sampling and percussion hold time in newfound ways. Where previously Chenaux relied on a freeze/sustain pedal and minimalist rhythmic triggers to generate both pulse and chordal foundations, Melanson now paints timekeeping with expressive and intri