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Ensemble Celadon - Scarlatti: Il trionfo della Grazia - COMPACT DISCS [CD]

SKU: 13120254

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Alessandro Scarlatti's Il Trionfo della Grazia was first performed in Rome in 1685 and was such a huge success that the oratorio was regularly revived over a period of more than twenty years. Three manuscripts of it exist, one each in Rome, Modena, and Dresden. The score is remarkably inventive and profound for a 25-year-old composer; Scarlatti continued to alter and adjust it over the years. Here Ensemble Celadon focuses on the first Roman version of the work and does not include any later additions; the result is a lively and spirited work with an acute dramatic sense, thanks to which each performer can fully display their talents.

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  • Genre
    Classical
    Description
    Alessandro Scarlatti's Il Trionfo della Grazia was first performed in Rome in 1685 and was such a huge success that the oratorio was regularly revived over a period of more than twenty years. Three manuscripts of it exist, one each in Rome, Modena, and Dresden. The score is remarkably inventive and profound for a 25-year-old composer; Scarlatti continued to alter and adjust it over the years. Here Ensemble Celadon focuses on the first Roman version of the work and does not include any later additions; the result is a lively and spirited work with an acute dramatic sense, thanks to which each performer can fully display their talents.
    Artist
    Ensemble Celadon
    Title
    Scarlatti: Il trionfo della Grazia
    Format
    CD
    Label
    Ricercar
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Violoncello is a word that names the bass instrument of the violin family, an instrument of which the origin dates back to the beginning of the sixteenth century. However, the first document that contains this term is in a collection of sonatas by Giulio Cesare Arresti published in 1665. From a musicological point, this fact is of big importance because of it's philological use to standardize the word in the future as a fix term to name the instrument. Based on this background, the ensemble decided to choose a specific repertoire taking into account the historical context of the cello's use as a solo instrument. The main part of this instrumental journey is dedicated to the first collection of music for violoncello, the Ricercate sopra il Violoncello o clavicembalo, Opera Prima by Giovanni Battista degli Antonii, published in Bologna in 1687. Giovanni Battista degli Antonii, born in Bologna himself, was an organist and member of the Concerto Palatino as a trombonist and cornettist from 1650 to 1675. From 1684 he was member of the Accademia Filarmonica, as specified on the front cover of his Ricercate, along with the dedication of the composition to the duke Francesco Il d'Este.

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