Ensemble Modern - Continuous Deformation - COMPACT DISCS [CD]

Enno Poppe has 'tailor-made' concise ensemble works for two of the most important ensembles of contemporary music InchGoldInch - a purely vocal work for the SWR Vokalensemble - and InchKorperInch - for the Ensemble Modern.In the three-part a cappella work InchGoldInch (one of only two choral compositions to date), Poppe indulges for the first time in his love of the lustfully excessive texts by Arno Holz (1863-1929), one of the most important representatives of German Naturalism and literary Modernism. The poems are parodistically related to less humorous high literature. The SWR Vokalensemble's supple miracle sound appears confidently in various combinations, sometimes fanned out in 24 voices as in old vocal polyphony.InchKorperInch takes us to another end of the scale of possible sounds. Here, the 21 soloists of the Ensemble Modern form a formidable big band, augmented by appropriate woodwind and brass instruments (including saxophones, of course). Here, however, Poppe is more concerned with exploring and expanding what the big band provides as a 'sound body', i.e. The colors, dynamic and rhythmic possibilities, with the means of New Music, an art that the Ensemble Modern has truly perfected. As so often with Poppe, the piece InchKorperInch goes through multiple processes of intensification and collapse. In the climaxes, the physicality of the music is almost overwhelming. Nevertheless, the nuclei of the piece are the intimate, thinly scored moments when the electric strings ever so gradually rise up with the percussion, or when a saxophone, a keyboard, or a trombone steps out of the thicket of sound and is allowed a few moments of self-discovery. Album Tracks 1. Körper für Ensemble~I 2. Körper für Ensemble~II 3. Körper für Ensemble~III 4. Körper für Ensemble~IV 5. Gold für gemischten Chor a cappella~I. Moderne Walpurgisnacht für 16-stimmigen Chor 6.

Album Tracks 1. I 2. II 3. I 4. II 5. III 6. Sudden Time 7. Olicantus

Besides various intangible elements - a balance of physical and metaphysical properties of Saed Haddad Inchgood musicInch needs. The former he counts beauty, power, magic, power, virtuosity, etc.; in the second category are elusive concepts the existential, the spiritual and the transcendental. The works on this CD come from two different marked by compositional practice periods. In the first period from 2004 to 2006 Haddad sought a synthesis of Arabic and Western music - without the usual Western mesh as tourism, exoticism or some form of abstraction. The aim was a real, existential and transcendental integration, not a juxtaposition or even constraints of a tradition on the other. More recently, since 2007, prefers to always questioning composers continued increasingly from a direct, existential contact with Arab culture. Album Tracks 1. Le Contredesir 2. On Love I for Qanun and Ensemble - Bassm Al Khouri/Ensemble Modern 3. On Love II for Piano and Ensemble - Ensemble Modern 4. Les Deux Visages de L'orient 5. Etudes Mysterieuses 6. The Sublime