Ensemble Modern - Motschmann: AION For Large Ensemble, Artificial Intelligence, & Electronics - COMPACT DISCS [CD]

Enno Poppe has 'tailor-made' concise ensemble works for two of the most important ensembles of contemporary music InchGoldInch - a purely vocal work for the SWR Vokalensemble - and InchKorperInch - for the Ensemble Modern.In the three-part a cappella work InchGoldInch (one of only two choral compositions to date), Poppe indulges for the first time in his love of the lustfully excessive texts by Arno Holz (1863-1929), one of the most important representatives of German Naturalism and literary Modernism. The poems are parodistically related to less humorous high literature. The SWR Vokalensemble's supple miracle sound appears confidently in various combinations, sometimes fanned out in 24 voices as in old vocal polyphony.InchKorperInch takes us to another end of the scale of possible sounds. Here, the 21 soloists of the Ensemble Modern form a formidable big band, augmented by appropriate woodwind and brass instruments (including saxophones, of course). Here, however, Poppe is more concerned with exploring and expanding what the big band provides as a 'sound body', i.e. The colors, dynamic and rhythmic possibilities, with the means of New Music, an art that the Ensemble Modern has truly perfected. As so often with Poppe, the piece InchKorperInch goes through multiple processes of intensification and collapse. In the climaxes, the physicality of the music is almost overwhelming. Nevertheless, the nuclei of the piece are the intimate, thinly scored moments when the electric strings ever so gradually rise up with the percussion, or when a saxophone, a keyboard, or a trombone steps out of the thicket of sound and is allowed a few moments of self-discovery. Album Tracks 1. Körper für Ensemble~I 2. Körper für Ensemble~II 3. Körper für Ensemble~III 4. Körper für Ensemble~IV 5. Gold für gemischten Chor a cappella~I. Moderne Walpurgisnacht für 16-stimmigen Chor 6.

Album Tracks 1. I 2. II 3. I 4. II 5. III 6. Sudden Time 7. Olicantus

Yongbom Lee's music is characterized by continuous streams of sound and a finely balanced interplay between instrumental and electronic elements. Shaped by his intercultural background, Lee is particularly interested in the intersections and distances between contrasting concepts - such as the foreign and the familiar, or the conscious and the unconscious. Booklet author Leonie Reineke elaborates InchAmbiguity is another concept associated with the focus on spaces, a theme running through all the compositions on the album. Suspended states, associative developments, as when dreaming, and musical situations in which anything can develop from anything else recur time and again.InchThe work InchImaginary RoomsInch, performed by Ensemble Recherche, moves between a progressive narrative and fragmentary snapshots. In InchDépaysementInch, the composer again explores the coexistence of opposing ideas the first movement grants the musicians of the Broken Frames Syndicate improvisational freedom, while the second is written in a strictly traditional manner. The title piece, InchContinuous DeformationInch, for cello (Kyubin Hwang) and live electronics (Yongbom Lee), reflects his engagement with neuroscience - linking the performer's sound production and brain activity, and guiding listeners through overtone landscapes. Album Tracks 1. Stasis Field FÜR Ensemble Und Sampler 2. Imaginary Rooms FÜR Flöte/Bassflöte, Violine, Violoncello, Kontrabass Und Perkussion-I 3. Imaginary Rooms FÜR Flöte/Bassflöte, Violine, Violoncello, Kontrabass Und Perkussion-II 4. Imaginary Rooms FÜR Flöte/Bassflöte, Violine, Violoncello, Kontrabass Und Perkussion-III 5. Imaginary Rooms FÜR Flöte/Bassflöte, Violine, Violoncello, Kontrabass Und Perkussion-IV 6. Dépaysement FÜR Ensemble Und Sampler-I 7. Dépaysement FÜR Ensemble Und Sampler-II 8. Continuous Deformation FÜR Violoncello Und