Ensemble Respiro - Acqua alta in Venice - COMPACT DISCS [CD]
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Increasingly frequent floods threaten Venice. The Basilica San Marco, which is located at one of the lowest points in the city, is particularly at risk. As part of the Venetian display of splendor, acoustically refined space-sound music was created there. As a European music center of the first rank, it was the workplace of numerous important musicians. Threatened by climate change, the place appears as a symbol of a fragile culture. With the project, the Ensemble Respiro pursues the uninterrupted topicality of 17th-century music, with works by Schütz, Gabrieli and Rosenmüller. Album Tracks 1. Deus Qui Beatum Marcum (Excerpt Sacrae Symphoniae I Liber 1597) 2. Canzon I À 5 3. Sancta Maria À 7 (Excerpt Sacrae Symphoniae I Liber 1597) 4. Benedicam Dominum (For 3 Cornetto, 3 Voci and B.C.) (Excerpt Symphoniae Sacrae I SWV 257-276) 5. Kyrie À 5 6. Deus in Nomine Tuo À 8 7. Treiffet, Ihr Himmel (For 2 Cornetts, Soprano and B.C.) 8. Canzon NR. 3 À 6 (Canzone 1615) 9. Sehet An Den Feigenbaum À 7 (From Geistliche Chormusik, 1648, SWV 369-397) 10. Miserere Mei Deus À 6 11. Exaudi Deus À 7 12. Benedicam Dominum À 10
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- GenreClassicalDescriptionIncreasingly frequent floods threaten Venice. The Basilica San Marco, which is located at one of the lowest points in the city, is particularly at risk. As part of the Venetian display of splendor, acoustically refined space-sound music was created there. As a European music center of the first rank, it was the workplace of numerous important musicians. Threatened by climate change, the place appears as a symbol of a fragile culture. With the project, the Ensemble Respiro pursues the uninterrupted topicality of 17th-century music, with works by Schütz, Gabrieli and Rosenmüller. Album Tracks 1. Deus Qui Beatum Marcum (Excerpt Sacrae Symphoniae I Liber 1597) 2. Canzon I À 5 3. Sancta Maria À 7 (Excerpt Sacrae Symphoniae I Liber 1597) 4. Benedicam Dominum (For 3 Cornetto, 3 Voci and B.C.) (Excerpt Symphoniae Sacrae I SWV 257-276) 5. Kyrie À 5 6. Deus in Nomine Tuo À 8 7. Treiffet, Ihr Himmel (For 2 Cornetts, Soprano and B.C.) 8. Canzon NR. 3 À 6 (Canzone 1615) 9. Sehet An Den Feigenbaum À 7 (From Geistliche Chormusik, 1648, SWV 369-397) 10. Miserere Mei Deus À 6 11. Exaudi Deus À 7 12. Benedicam Dominum À 10ArtistEnsemble RespiroTitleAcqua alta in VeniceFormatCDLabelArcantus
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This is the eagerly awaited follow-up to Francesco Piemontesi's summer 2017 , Mozart Piano Concertos Nos. 25 & 26. This recording finds the 'dream team' of Piemontesi, Andrew Manze and the Scottish Chamber Orchestra back together for two further concertos the graceful and sunny Piano Concerto No. 19 in F major and the mellow and magnificent Piano Concerto No. 27 in B flat major, which was Mozart's last. When Piemontesi performed No. 27 at the 2018 BBC Proms, The Independent commented 'Piemontesi gave a definitive performance... his sound was gloriously transparent throughout'. This well-established team garnered multiple accolades for their debut recording together (Benchmark Recording France Musique, Recording of the Year Presto Classical, Excepcional Scherzo, Editor's Choice Gramophone, Album of the Week Classic FM) which increases the weight of expectation for this new recording. In addition the orchestra has recorded the Rondo in A major, K. 386, which only survived in the form of a piano arrangement by Cipriani Potter, whose father was a pupil of Mozart. Fittingly this piece was reconstructed by the SCO's Conductor Laureate Sir Charles Mackerras in 1989 and it is this orchestral version which is performed here. Widely considered one of the world's greatest Mozart orchestras, the SCO finds an ideal foil in the freshness and spontaneity of Piemontesi's playing. Album Tracks 1. Piano Concerto No. 19 in F Major, K. 459 2. Rondo in a Major, K. 386 3. Piano Concerto No. 27 in B-Flat Major, K. 595
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