Eric Alexander - Temple of Olympic Zeus - COMPACT DISCS [CD]

It's All About The Music Bruce and Julie recorded their first jam session together on January 6th, 1993 in a church in Chicago. With Bruce playing an acoustic guitar and Julie on a 5gallon pail they discovered their desire to create music together out of anything and everything around them. That desire fueled their relationship as it grew out of this musical love they shared and keeps them grounded in the music they create still to this day. Punk Rock Meets Poetry Bruce Hecksel's primary instrument is acoustic guitar. In addition to intense study in many styles from fingerstlye, flamenco, classical, jazz, flat picking, and folk, he studied concert piano, choral compositions and plays bass guitar and percussion on stage. But Bruce started his guitar adventure in a punk rock band named Be Safe Be Seen. At a Canadian music festival in 1991 his electric guitar and amp were stolen and he was left with only his acoustic guitar, which he took as a sign and never played an electric guitar again. As lyricist and lead vocalist of Patchouli, Julie's background is in words. She began reciting poetry when she was seven. She walked around with her steno notepad and recorded all her observations of her young life. Dabbling in violin, drums, and trombone throughout school she worked many of her poems into acapella pieces that she and friends would perform. When she and Bruce met they put the poetry to music and Patchouli began. Julie now plays multiple instruments on and off stage 6& 12 string guitars, upright bass marimbas, flutes and hand drums. The Botany and Theology of Patchouli Bruce attended college and grad school for music and theology. Julie studied ethnobotany (the study of cultures and plants) and environmental science. Together they blend the idea of cultures, music, environment and theology into the positive vibrations of Patchouli music. The song Patchouli was the firs

Young tenor sax genius is at it again with help from pianist Harold Mabern, Jim Rotundi on trumpet, John Webber on bass, George Fludas on drums & Steve Davis on trombone. (Previously deleted 11/1/07. Original date 1/13/98)

2019 . Eric Alexander's prowess on the tenor saxophone, his unimpeachable virtuosity and technical skill, is obvious to anyone who has paid attention to his fluent and stirring work over the past three decades. His reputation as a hard-blowing jazz gladiator has stood him well with fellow musicians and loyal listeners. Admired and enjoyed for his exceptional powers, Alexander is a model of mainstream jazz expertise. However, on this HighNote recording Eric, backed by three of his favorite colleagues and the rich sounds of a string orchestra, brings his lyrical side to the fore. InchI wanted to get straight into the beauty of a song, always putting the melody first, Inch Alexander states about his expressed intentions for the album. InchImprovisations are the icing on the cake.Inch With the fruition of this dream project Alexander has again succeeded in proving that his long obvious gifts as a player are equaled by his respect for the gift of song.