Ernest Hood - Back To The Woodlands / Where The Woods Begin - COMPACT DISCS [CD]

So you think you know Arjen Lucassen, huh? Towering Dutch prog rock polymath? The man behind the super successful prog rock conceptualists Ayreon? Not to mention his prog metal offshoots Star One and Guilt Machine? Enormous overarching concept albums about space and time, packed to the hilt with special guests that read like a who's who of modern day progressive rock? Records that take as long to conceive as they do to record? That Arjen Lucassen? Well, think again... 'Golden Age Of Music', the latest album to feature Lucassen's not inconsiderable talents, may also feature stellar musicianship and killer tunes, but there is no storyline that takes place far into the future in the far flung depths of space. Nor do the album's 11 tracks come courtesy of an unending list of guest artists. The end result is 11 tracks of high energy, progressively inclined heavy rock that swings with the kind of groove Deep Purple rocked with in the early to mid 1970s. Golden Age Of Music is out May 19, 2023 on CD and Vinyl.

Ernest Hood's Neighborhoods was released some two decades after the Portland, Oregon born and raised musician's first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood's privately-pressed opus of 1975. Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score and documentary composed and directed by Hood to offer, in his words, joy in reminiscence. Hood's nostalgic impulse ran parallel to the developments of other artists, writers, and filmmakers of the 1970s who were looking back to the 1950s to convey a collective memory of childhood. Unlike some of the widely embraced work of this nature, the music of Neighborhoods eschews irony or detachment for lucidity, striving above all for a dream-like return to the details of sensory memory. Born into a musical lineage, Hood's early, promising career as a guitarist in a globe-trotting jazz outfit was cut short when he contracted polio in his late twenties. Moving from guitar to less physically-demanding stringed instruments in the late 1940s, Hood first began implementing field recordings in his jazz ensemble collaborations as early as 1956. In 1961, Hood and trumpeter Jim Smith collaborated on a local Portland television program, with their large, tight ensemble providing breakneck contemporary jazz for an action painting by famed West Coast modernist painter Louis Bunce. Hood incorporated his own field-recorded sounds of birds in the performance - an element that would resurface in Neighborhoods with great abundance among other found sounds. Whether using environmental sounds or instruments, a sense of musical narration is the central component of Neighborhoods, a strategy Hood tellingly referred to as Inchmusical cinematographyInch

The Teak Project - The Teak Project [COMPACT DISCS] date 09/08/2009