Ernst-Ludwig Petrowsky - Luten at Jazzwerkstatt Peitz - COMPACT DISCS [CD]

The Donizetti Opera Festival in Bergamo continues to present early works by Donizetti that have been unjustly neglected for decades. Alfredo il Grande, a love story that explores the defeat of the invading Danish army by the victorious Britons, was first performed in 1823 and was revived in this production two centuries later. Skilfully orchestrated, it features memorable arias for the hero Alfredo, and includes a superb concluding rondo for the heroine Amalia, as well as a radiant quintet. The opera is heard here in Edoardo Cavalli's 2021 critical edition. Gramophone called it 'a vocally accomplished performance' and 'a fine revival'.

Reusner / Satoh - Esaias Reusner Lute Music [COMPACT DISCS] date 07/29/2016

This is the debut recording of the Thuringer Bach Collegium and marks the beginning of it's co-operation with audite. Prince Johann Ernst IV of Sachsen-Weimar (1696-1715) was taught by Johann Gottfried Walther; Johann Sebastian Bach also perused the young prince's compositions and arranged some of Johann Ernst's concertos for keyboard instruments for his own use. Georg Philipp Telemann put the finishing touches to the violin concertos. The results are unmistakably Italianate at times brilliantly virtuosic, at other times contemplative and lyrical - composed by the 'Thuringian Vivaldi' who died far too early. The Thuringer Bach Collegium, directed by Gernot Sußmuth, have recorded the six violin concertos by Prince Johann Ernst - as posthumously published in 1718 by Telemann - with exuberant enthusiasm. These works are combined with two further concertos whose original Weimar court orchestra parts survived a concerto for trumpet and orchestra as well as a concerto for two violins which survived as an adaptation by JS Bach and was Incharranged backInch. This pioneering recording revives a central chapter of Weimar's musical history, in which the works of the court composer Johann Sebastian Bach also had their place. The prince's concertos were written at the same time as Bach's Weimar cantatas and provide, as no other body of works, the InchsoundtrackInch to the dynamic musical life in the palace. The musical perspective was a European one in 1713 a veritable InchVivaldimaniaInch broke out, the Venetian composer's works being arranged, imitated and emulated. This can be experienced in the prince's concertos, written in the finest Vivaldian style.