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Ewa Mrowca - Pieces de Clavessin - COMPACT DISCS [CD]

SKU: 10626095

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Ewa Mrowca - Pieces de Clavessin [COMPACT DISCS] date 01/01/2000

Specifications

  • Genre
    Classical
    Description
    Ewa Mrowca - Pieces de Clavessin [COMPACT DISCS] date 01/01/2000
    Artist
    Ewa Mrowca
    Title
    Pieces de Clavessin
    Format
    CD
    Label
    Dux Recording Prod.
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Ewa Mrowca - Pieces de Clavessin   - COMPACT DISCS [CD]
Ewa Mrowca - Pieces de Clavessin - COMPACT DISCS [CD]

Ewa Mrowca - Pieces de Clavessin [COMPACT DISCS] date 01/01/2000

Ewa Mrowca - Pieces de Clavecin   - COMPACT DISCS [CD]

A hot-tempered troublemaker with a violent temperment and an arrogant personality, Louis Marchand was a virtuoso harpsichordist and organist to King Louis XIV. On the present , Ewa Mrowca presents his Suite en re mineur, Suite en sol mineur, and La Venitienne. Ewa MROWCA was born in Kraków, Poland. She started studying the harpsichord at the age of 12. She graduated with honors from the Music Academy in Kraków, where she studied with Elzbieta Stefanska. She also completed her studies under Nicholas Parle at the Guildhall School of Music & Drama in London, and with Jörg-Andreas Bötticher at the Schola Canto-rum Basiliensis in Basel. She performs as a soloist and with early music ensembles including Altberg Ensemble, Musicae Antiquae Collegium Varsoviense, Capella dell'Ospedale della Pietà Venezia, and Il Giardino d'Amore. In addition to Poland, she has performed in France, Germany, Spain, China, Japan and the United States.

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Ewa Mrowca - The French Suites   - COMPACT DISCS [CD]

Bearing in mind the special pedagogical value of suites, Bach, already a kapellmeister in Köthen, in 1722, began to write Suites pour le Clavessin into his second wife's private musical notebook, entitled Clavier-Büchlein für Anna Magdalena Bach. These were five suites, marked with BWV numbers 812-816, now known as French Suites. There is no certainty as to whether the composer intended to create a cycle of suites or whether he rather wrote them successively for the purpose of improving the harpsichord performance of the young wife. Johann Sebastian Bach would never use the very name French Suites. It first appeared only in 1762, in the notes of Friedrich Wilhelm Marpurg (1718-1795), who described the sequence of six suites as a collection under the title VI. Franz. Suiten von reel Herrn Capellm. Bach. In the second half of the 18th century, the name became common in the Berlin circle. In 1802, Johann Nicolaus Forkel (1749-1818) called the cycle French Suites, because, in his opinion, they were composed in the French style. They are performed beautifully here by Ewa Mrowca.

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