Ezra Furman - Goodbye Small Head - Sea Blue - VINYL LP
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Goodbye Small Head is the name of the new record from Ezra Furman. Twelve songs, twelve variations on the experience of completely losing control, whether by weakness, illness, mysticism, BDSM, drugs, heartbreak or just living in a sick society with one's eyes open. These songs are vivid with overwhelm. They're not about someone going off the rails, they are inside that person's heart. The songwriting here is a revision to William Wordsworth's famous proclamation that InchPoetry is the spontaneous overflow of powerful feelings it takes it's origin from emotion recollected in tranquility.Inch This poetry, my poetry, arrived in the midst of the storm. It was written as I teetered toward the edge. The band and I had had a run of records that were very communal, very first person plural. We, us, ours. I was trying to exist in and create a shared space with my audience, make anthems for taking care of one another in dark times. But there does come a time when a woman is left alone in a room to unravel. And you need anthems for those times too. GSH also reflects a band reaching a new peak of our powers. If I were a music journalist, I would call this an orchestral emo prog-rock record sprinkled with samples. Thank goodness I'm not a music journalist! I think of this music as cinematic and intense. A friend of mine said it sounded like Inchthe coolest movie soundtrack of 1997,Inch and I'm quite pleased with that description. We've incorporated a small string section into eight of the twelve tracks, and are using samples for the first time-nothing you'd recognize, just some uncredited singing that Sam found online, chopped into beautifully evocative bits. Other than that, this record features something that's become nearly an anachronism a band that's been playing real instruments together for over a decade, intuitively in touch with each other as musicians. Four players in
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- GenreRockDescriptionGoodbye Small Head is the name of the new record from Ezra Furman. Twelve songs, twelve variations on the experience of completely losing control, whether by weakness, illness, mysticism, BDSM, drugs, heartbreak or just living in a sick society with one's eyes open. These songs are vivid with overwhelm. They're not about someone going off the rails, they are inside that person's heart. The songwriting here is a revision to William Wordsworth's famous proclamation that InchPoetry is the spontaneous overflow of powerful feelings it takes it's origin from emotion recollected in tranquility.Inch This poetry, my poetry, arrived in the midst of the storm. It was written as I teetered toward the edge. The band and I had had a run of records that were very communal, very first person plural. We, us, ours. I was trying to exist in and create a shared space with my audience, make anthems for taking care of one another in dark times. But there does come a time when a woman is left alone in a room to unravel. And you need anthems for those times too. GSH also reflects a band reaching a new peak of our powers. If I were a music journalist, I would call this an orchestral emo prog-rock record sprinkled with samples. Thank goodness I'm not a music journalist! I think of this music as cinematic and intense. A friend of mine said it sounded like Inchthe coolest movie soundtrack of 1997,Inch and I'm quite pleased with that description. We've incorporated a small string section into eight of the twelve tracks, and are using samples for the first time-nothing you'd recognize, just some uncredited singing that Sam found online, chopped into beautifully evocative bits. Other than that, this record features something that's become nearly an anachronism a band that's been playing real instruments together for over a decade, intuitively in touch with each other as musicians. Four players inArtistEzra FurmanTitleGoodbye Small Head - Sea BlueFormatVINYLLabelBella Union
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Goodbye Small Head is the name of the new record from Ezra Furman. Twelve songs, twelve variations on the experience of completely losing control, whether by weakness, illness, mysticism, BDSM, drugs, heartbreak or just living in a sick society with one's eyes open. These songs are vivid with overwhelm. They're not about someone going off the rails, they are inside that person's heart. The songwriting here is a revision to William Wordsworth's famous proclamation that InchPoetry is the spontaneous overflow of powerful feelings it takes it's origin from emotion recollected in tranquility.Inch This poetry, my poetry, arrived in the midst of the storm. It was written as I teetered toward the edge. The band and I had had a run of records that were very communal, very first person plural. We, us, ours. I was trying to exist in and create a shared space with my audience, make anthems for taking care of one another in dark times. But there does come a time when a woman is left alone in a room to unravel. And you need anthems for those times too. GSH also reflects a band reaching a new peak of our powers. If I were a music journalist, I would call this an orchestral emo prog-rock record sprinkled with samples. Thank goodness I'm not a music journalist! I think of this music as cinematic and intense. A friend of mine said it sounded like Inchthe coolest movie soundtrack of 1997,Inch and I'm quite pleased with that description. We've incorporated a small string section into eight of the twelve tracks, and are using samples for the first time-nothing you'd recognize, just some uncredited singing that Sam found online, chopped into beautifully evocative bits. Other than that, this record features something that's become nearly an anachronism a band that's been playing real instruments together for over a decade, intuitively in touch with each other as musicians. Four players in
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Goodbye Small Head is the name of the new record from Ezra Furman. Twelve songs, twelve variations on the experience of completely losing control, whether by weakness, illness, mysticism, BDSM, drugs, heartbreak or just living in a sick society with one's eyes open. These songs are vivid with overwhelm. They're not about someone going off the rails, they are inside that person's heart. The songwriting here is a revision to William Wordsworth's famous proclamation that InchPoetry is the spontaneous overflow of powerful feelings it takes it's origin from emotion recollected in tranquility.Inch This poetry, my poetry, arrived in the midst of the storm. It was written as I teetered toward the edge. The band and I had had a run of records that were very communal, very first person plural. We, us, ours. I was trying to exist in and create a shared space with my audience, make anthems for taking care of one another in dark times. But there does come a time when a woman is left alone in a room to unravel. And you need anthems for those times too. GSH also reflects a band reaching a new peak of our powers. If I were a music journalist, I would call this an orchestral emo prog-rock record sprinkled with samples. Thank goodness I'm not a music journalist! I think of this music as cinematic and intense. A friend of mine said it sounded like Inchthe coolest movie soundtrack of 1997,Inch and I'm quite pleased with that description. We've incorporated a small string section into eight of the twelve tracks, and are using samples for the first time-nothing you'd recognize, just some uncredited singing that Sam found online, chopped into beautifully evocative bits. Other than that, this record features something that's become nearly an anachronism a band that's been playing real instruments together for over a decade, intuitively in touch with each other as musicians. Four players in
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Split the Country, Split the Street is Kevin Devine's third studio album. It was released in 2005, being the second of two albums released on Triple Crown Records. It is the first solo record released after Kevin was no longer in Miracle of 86 (a band in which he was the lead singer). The album features more rock oriented songs with fuller band arrangements than his previous two releases, and was produced by Chris Bracco, Mike Skinner & Kevin Devine. Kevin said of the album InchSplit the Country was done after the band [Miracle of 86] broke up, like the hangover from that. It was more bi-polar aggressive rock songs with fuller instrumentation, but also songs with violins and glockenspiel or just a guy with a guitar.Inch
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