Fatalvision - Three Times Lucky - COMPACT DISCS [CD]

The triumphant return of the Canadian melodic rock band Fatal Vision with their album Twice. The thirteen tracks recall Fatal Vision's key influences, including Survivor, Bad English, Loverboy, Night Ranger, and REO Speedwagon. The first single, InchIn My FantasyInch, is a hard rocker reminiscent of Bon Jovi at it's best, followed by the post-apocalyptic, Asian-inspired InchTomorrow Never ComesInch and the Alice Cooper influences of InchWelcome to my NightmareInch. The album also features the power ballads InchEnd of the DreamInch (a duet with up-and-coming Nashville artist Christine Corless), InchThe Last Summer NightInch and InchDon't Fall In Love With A DreamerInch (which features a record-breaking 26-second final note by Marwood), as well as the mid-tempo duet (again with Corless) InchTime Has Left Us As StrangersInch, the melancholic InchGhosts of YesterdayInch, the rock number InchIn The Middle Of The NightInch and the triumphant conclusion InchStart AgainInch. For each of these tracks, videos are shot that tell an ongoing story of a lost love and the possibility of a second chance. Also for the 1st album, there were a number of videos that told the story, spawned over 300,000 YouTube plays and skyrocketed Instagram and TikTok streams. Once again, the album was accompanied by accomplished colleagues, including Alessandro Del Vecchio (Edge of Forever, Hardline), Harry Hess (Harem Scarem), Paul Laine (Danger Danger, The Defiants), Marc Lafrance (Loverboy, Motley Crue), J. K. Northrup (King Kobra, XYZ), Jeff Scott Soto (Journey, Trans-Siberian Orchestra) on backing vocals, Mark Holden (Boulevard) on saxophone, and Northrup and Derry Grehan (Honeymoon Suite) contributed additional guitars. The band will support live concerts with dates in Canada, followed by a UK tour in August and Belgium, Germany, the Netherlands and Switzerland. Artist Origin CanadaTracklist 1.

Firstborne - Lucky [COMPACT DISCS] date 08/08/2025

Biagio Marini (Brescia, 1594 - Venice, 1663) now is remembered not only as one of the most famous violin virtuosos of his time and an innovator of instrumental music, but also as a masterly composer of vocal pieces, both sacred and profane. The Concertos op. 7 reveal the composer's mastery. Adopting some traditional forms of the profane music of the Renaissance, such as the canto a ballo and the romanesca, and using ritornellos and refrains interspersed with different formal systematisations (nos. 1 and 5), Marini created complex, dynamic pieces, achieving a splendid synthesis of all the composition elements. These stylistic features that were typical of Marini's work arose and developed on the basis of his everyday musical life, in which he was active not only as a composer, but also as an instrumentalist and singer. The Costanzo Porta ensemble from Cremona, directed by Antonio Greco supported by the instrumental ensemble Cremona Antiqua, performs here for the first time this previously unknown collection of madrigals including texts, by famous poets of the time, inspired by themes and subjects from the pastoral poetry from the early seventeenth century. These are superbly put on music using InchmadrigalismsInch that, a part for the voices, are extended to the accompanying instruments.