Faure Quartett - Faure Quartets - COMPACT DISCS [CD]
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If a chamber music ensemble can stand together in the same lineup for 25 years, it must be doing something right. The Faure Quartett can be assumed to be doing so As one of the world's leading piano quartets, the four musicians are at the zenith of chamber music, touring the world's most important venues and breaking down musical boundaries with their recordings. Their Pop Songs album was followed by Mussorgsky's Pictures at an Exhibition and Rachmaninov's etudes-Tableaux in 2018, which have never been heard so rousingly before. On the occasion of the 25th anniversary of it's foundation, the quartet turns it's attention to a composer who is at the same time both long overdue and right now perfectly fit to be recorded properly Gabriel Faure. The Faure Quartet has fond memories of these phases of self-exploration and laying the foundations of a piece. The quartet was able to afford the luxury of independent maturity and managed to transform the apparent shortcoming of such a fixed instrumentation into a quality. It is not a trio that treats itself to a pianist, neither is it a string quartet that gives one violin a temporary leave of absence, and nor is it a piano soloist who enhances inherent keyboard timbres by augmenting these with a few extra string players. It remains an ensemble that takes itself seriously in it's particularity and benefits from the qualities of four characters who can stand up to each other even over long stretches of time. And it is a team that does not see itself as too superior not to practice the same thing over and over again until a point is reached at which an invisible boundary is crossed, one that leads from mere interpretation to actual embodiment.
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- GenreClassicalDescriptionIf a chamber music ensemble can stand together in the same lineup for 25 years, it must be doing something right. The Faure Quartett can be assumed to be doing so As one of the world's leading piano quartets, the four musicians are at the zenith of chamber music, touring the world's most important venues and breaking down musical boundaries with their recordings. Their Pop Songs album was followed by Mussorgsky's Pictures at an Exhibition and Rachmaninov's etudes-Tableaux in 2018, which have never been heard so rousingly before. On the occasion of the 25th anniversary of it's foundation, the quartet turns it's attention to a composer who is at the same time both long overdue and right now perfectly fit to be recorded properly Gabriel Faure. The Faure Quartet has fond memories of these phases of self-exploration and laying the foundations of a piece. The quartet was able to afford the luxury of independent maturity and managed to transform the apparent shortcoming of such a fixed instrumentation into a quality. It is not a trio that treats itself to a pianist, neither is it a string quartet that gives one violin a temporary leave of absence, and nor is it a piano soloist who enhances inherent keyboard timbres by augmenting these with a few extra string players. It remains an ensemble that takes itself seriously in it's particularity and benefits from the qualities of four characters who can stand up to each other even over long stretches of time. And it is a team that does not see itself as too superior not to practice the same thing over and over again until a point is reached at which an invisible boundary is crossed, one that leads from mere interpretation to actual embodiment.ArtistFaure QuartettTitleFaure QuartetsFormatCDLabelBerlin Classics
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If a chamber music ensemble can stand together in the same lineup for 25 years, it must be doing something right. The Faure Quartett can be assumed to be doing so As one of the world's leading piano quartets, the four musicians are at the zenith of chamber music, touring the world's most important venues and breaking down musical boundaries with their recordings. Their Pop Songs album was followed by Mussorgsky's Pictures at an Exhibition and Rachmaninov's etudes-Tableaux in 2018, which have never been heard so rousingly before. On the occasion of the 25th anniversary of it's foundation, the quartet turns it's attention to a composer who is at the same time both long overdue and right now perfectly fit to be recorded properly Gabriel Faure. The Faure Quartet has fond memories of these phases of self-exploration and laying the foundations of a piece. The quartet was able to afford the luxury of independent maturity and managed to transform the apparent shortcoming of such a fixed instrumentation into a quality. It is not a trio that treats itself to a pianist, neither is it a string quartet that gives one violin a temporary leave of absence, and nor is it a piano soloist who enhances inherent keyboard timbres by augmenting these with a few extra string players. It remains an ensemble that takes itself seriously in it's particularity and benefits from the qualities of four characters who can stand up to each other even over long stretches of time. And it is a team that does not see itself as too superior not to practice the same thing over and over again until a point is reached at which an invisible boundary is crossed, one that leads from mere interpretation to actual embodiment.
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Faure Complete Piano Quartets & Quintets / Composer Gabriel Fauré / Performer Jacqueline Eymar, Bernard Braunholz, Werner Neuhaus, Günter Kehr, Number of Discs 2 / Length 2 Hours 3 Mins. Recordings from the sixties (1966), sounding amazingly fresh and transparent. Reissue of one of the gems from the early VOX catalogue Fauré 's complete piano quartets and quintets played by Jacqueline Eymar! Jacqueline Eymar (1922-2008), a pupil of Yves Nat, was one of the Grand Dames of the French piano school, together with Monique de la Bruchollerie and Yvonne Lefebure. Her style is elegant, perfectly natural, InchinwardlyInch brilliant, playing the great French and German Romantics with exquisite taste and understanding. A superb set presenting the masterworks of Fauré's chamber music oeuvre, counting among his most frequently performed works. Fauré's Piano Quintets are both mature masterpieces and showcase how his musical language had evolved and become more experimental. Op.89 won great admiration from it's dedicatee Eugène Ysaÿe, who called it 'absolute music in the purest sense of the word'. Op.115, dedicated to another eminent composer, Paul Dukas, dates from 1921, three years before Fauré's death, and could be said to represent the pinnacle of his art. Indeed, following it's premiere in Paris, one reviewer wrote 'We had expected a beautiful work, but not one as beautiful as this.'
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This is the final volume in the acclaimed series with Malcolm Martineau, charting the complete songs of French composer Gabriel Fauré and performed by a selection of the world's finest singers. This series follows Martineau's heralded 5-album series of The Complete Songs of Francis Poulenc. Malcolm Martineau was born in Edinburgh, read Music at St Catharine's College, Cambridge and studied at the Royal College of Music. Recognised as one of the leading accompanists of his generation, he has worked with many of the world's greatest singers including Sir Thomas Allen, Dame Janet Baker, Olaf Bar, Barbara Bonney, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Della Jones, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Jonathan Lemalu, Dame Felicity Lott, Christopher Maltman, Karita Mattila, Lisa Milne, Ann Murray, Anna Netrebko, Anne Sofie von Otter, Joan Rodgers, Amanda Roocroft, Michael Schade, Frederica von Stade, Sarah Walker and Bryn Terfel. He was a given an honorary doctorate at the Royal Scottish Academy of Music and Drama in 2004, and appointed International Fellow of Accompaniment in 2009. Malcolm was the Artistic Director of the 2011 Leeds Lieder+ Festival.
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