Federica Cardinali - InCanto Notturno - COMPACT DISCS [CD]
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It is a rather widespread opinion that the genesis of musical compositions intended to positively impress the listener'ssoul is often connected to an initial illumination that expands within a creative process that is per se rather ordinary. Itis that creative spark constituting the generating principle which, as it unfolds, gives form and narrative cohesion to thesound archetype. This is the premise underlying the album by the duo Cardinali-Redorici, the realisation of a projectthat presents itself as a refined exploration of soundscapes delineated by the poietic encounter between viola and piano,through a dialogue aimed at capturing the most varied emotional nuances.In the panorama of string instruments, the viola is characterised by a highly suggestive timbral eloquence stemmingfrom the range of frequencies within which it moves - an extension that makes it possible to perceive, at opposite extremes,sensations of both a lyrical luminosity typical of the violin and dark tones attributable to the gravitas of thecello. This contributes to making this medium ideal for translating into sound an expressiveness of musical thoughtdrawing it's quintessence from a persistent search for intimacy, oscillating between lightness and depth. In this sense,the listener of InCanto Notturno is projected into an intense and exciting sound journey - ranging from the explorationof affections ascribable to a certain romantic lyricism to the stylistic refinement typical of Impressionism -, also reachingsuggestive incursions into less beaten territories of the repertoire with the proposal of rarely performed compositions.
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- GenreClassicalDescriptionIt is a rather widespread opinion that the genesis of musical compositions intended to positively impress the listener'ssoul is often connected to an initial illumination that expands within a creative process that is per se rather ordinary. Itis that creative spark constituting the generating principle which, as it unfolds, gives form and narrative cohesion to thesound archetype. This is the premise underlying the album by the duo Cardinali-Redorici, the realisation of a projectthat presents itself as a refined exploration of soundscapes delineated by the poietic encounter between viola and piano,through a dialogue aimed at capturing the most varied emotional nuances.In the panorama of string instruments, the viola is characterised by a highly suggestive timbral eloquence stemmingfrom the range of frequencies within which it moves - an extension that makes it possible to perceive, at opposite extremes,sensations of both a lyrical luminosity typical of the violin and dark tones attributable to the gravitas of thecello. This contributes to making this medium ideal for translating into sound an expressiveness of musical thoughtdrawing it's quintessence from a persistent search for intimacy, oscillating between lightness and depth. In this sense,the listener of InCanto Notturno is projected into an intense and exciting sound journey - ranging from the explorationof affections ascribable to a certain romantic lyricism to the stylistic refinement typical of Impressionism -, also reachingsuggestive incursions into less beaten territories of the repertoire with the proposal of rarely performed compositions.ArtistFederica CardinaliTitleInCanto NotturnoFormatCDLabelStradivarius
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It is a rather widespread opinion that the genesis of musical compositions intended to positively impress the listener'ssoul is often connected to an initial illumination that expands within a creative process that is per se rather ordinary. Itis that creative spark constituting the generating principle which, as it unfolds, gives form and narrative cohesion to thesound archetype. This is the premise underlying the album by the duo Cardinali-Redorici, the realisation of a projectthat presents itself as a refined exploration of soundscapes delineated by the poietic encounter between viola and piano,through a dialogue aimed at capturing the most varied emotional nuances.In the panorama of string instruments, the viola is characterised by a highly suggestive timbral eloquence stemmingfrom the range of frequencies within which it moves - an extension that makes it possible to perceive, at opposite extremes,sensations of both a lyrical luminosity typical of the violin and dark tones attributable to the gravitas of thecello. This contributes to making this medium ideal for translating into sound an expressiveness of musical thoughtdrawing it's quintessence from a persistent search for intimacy, oscillating between lightness and depth. In this sense,the listener of InCanto Notturno is projected into an intense and exciting sound journey - ranging from the explorationof affections ascribable to a certain romantic lyricism to the stylistic refinement typical of Impressionism -, also reachingsuggestive incursions into less beaten territories of the repertoire with the proposal of rarely performed compositions.
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A fascinating instrument, with a warm and intimate timbre, the viola began relatively late to arouse the interest of composers and musicians. Long the recipient of accompaniment lines within orchestral ensembles, it was only in the classical period that the viola took it's first steps in the instrument repertoire for soloist with orchestra as well as for solo instrument. Although some masterpieces still widely performed today stand out (think of Mozart's famous Sinfonia Concertante), this type of repertoire remains meagre and at times unexplored. The two compositions offered here for the first recording are precisely among these hidden treasures to be rediscovered the Musica Ridotta BI. 316-322 and the Six Idylls, composed for solo viola respectively by Alessandro Rolla and his son Antonio. Not only do these pieces bring out the melodic and cantabile peculiarities of the instrument, but they also deepen it's technical virtuosic aspect. The discographic project thus seeks to restore due consideration to these composers and appreciated violists of European fame at the time, who contributed to the development and emancipation of an instrument of extraordinary beauty.
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Paiva - Ate Quando Vou Esperar A Sorte [COMPACT DISCS] Brazil - Import date 09/30/2016
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Notturno is a game an interplay of light and shade in a quasi nocturnal setting that is occasionally illuminated by dazzling daylight. Matthias Veit unfurls a Inchpanorama of correspondenceInch, shifting between tense tranquility and colorful dramatics. Iridescent character pieces inhabited by ghostly figures, un-known and well-loved gems from the piano repertoire span a net that stretches from the Romantic era to the modern day. Works from Crumb's InchMakrokosmosInch initiate a musical discourse of pro and contra between the great piano composers, which breathes a single deep musical breath right from the start - ending with an unexpected culmination.
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