Feeble Little Horse - bitknot - COMPACT DISCS [CD]

Black Honey Cult - Black Honey Cult [COMPACT DISCS] date 06/13/2025

Pittsburgh's Feeble Little Horse is a 4-piece band that writes intricately catchy, digitized noise pop songs. Formed by Sebastian Kinsler (guitar, production, vocals, bass) and Ryan Walchonski (guitar, vocals) in Ryan's student apartment in South Oakland, PA in February 2021, the duo soon added Ryan's roommate Jake Kelley on drums, and, inspired by a wave of creativity, the trio released their first EP - modern tourism, in May 2021, with artwork contributed by future member Lydia Slocum (vocals, bass). After officially joining the band in June of that year as bassist and vocalist, Lydia added her own sweet vocals, rich melodies, and punchy lyrics to the band's heady mix. From summer to fall of that year, the quartet played their first shows at DIY establishments across Pittsburgh and Philadelphia, gaining a word-of-mouth reputation as one of the most exciting new bands on the scene. In October 2021 Feeble Little Horse released their first full-length album, Hayday, via Julia's War Recordings. Full of dense textures and exhilarating tension, the album's eleven songs bristle with pent-up energy, the mood flipping between sweet noise-pop elements and more visceral discharges, the whole thing balanced on a knife-edge between the light and dark, the earnest and unhinged.The band continues to expand and evolve in 2022, with new music on the horizon that looks set to redefine the band's sound once again. Before that, however, comes a reissue of Hayday, in conjunction with Unstable - a record tag started by the band. Available on vinyl for the first time, this reissue also features two bonus tracks the previously unreleased InchDog Song 2Inch and a remix of InchTermitesInch by Full Body 2.TRACK LIST 1. Worth It (Intro)2. Termites3. Chores4. Tricks5. Too Much6. Sherman's Last Ride7. Picture8. You Got It Babe9. Kennedy10. Drama Queen11. Grace (Outro)12. Dog Song 2*13. Termites

3CD collection featuring four pioneering modernist Italian composers. Although he was a superb melodist, it was in his deployment of a whole landscape of non-musical sounds, dissonant harmonies and silence, that Ennio Morricone revolutionised film music. His audacity, and his diverse musical palette (manifest in the spaghetti westerns he scored for Sergio Leone) came less from cinema than from the pioneering post-war generation of 'New Music' composers. In 1958 Morricone attended a summer courses in New Music in Darmstadt, Germany; where he immersed himself in the works of the leading figures of contemporary music; Stockhausen, Varèse, Berio, Ligeti, Cage, Messiaen, Boulez, Maderna, Nono. The mood was one of excitement and adventure where the outer limits of music's artistic and conceptual universe were questioned and fearlessly explored. Morricone described Darmstadt as a turning point in his life. He felt compelled to react to what he learned there, feeling that the experience helped define his personal voice, his musical identity. Certainly Morricone's signature styles are are easily detected in the three delightful early soundtracks featured in this edition; including among the selections from il Federale, the maestro's very first film as primary composer. Morricone respected his Italian contemporaries, Luciano Berio, Bruno Maderna and Luigi Nono. He was deeply impressed by two of Nono's works; Il canto sospeso for solo soprano, alto and tenor, mixed chorus and orchestra, and Cori di Didone for mixed chorus end orchestra, which he claimed, Inchhit me down in my coreInch. Both compositions are included here along with Berio's Sinfonia, for orchestra and eight amplified voices, a rich collage of words and voices and sounds which has been compared to a live 1960s Happening. One of the principal modernist works of the era. In 1954, Berio and Maderna founded Italy's fi