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Feo / Galou / Biondi - San Francesco Di Sales - COMPACT DISCS [CD]

SKU: 10719258

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Fabio Biondi's immense curiosity for characterful music - especially of forgotten scores from the Baroque - yields another fabulous surprise with Francesco Feo's oratorio San Francesco di Sales. Feo's reputation is at last starting to wax after having waned dramatically in the nineteenth century and thenceforward in his own age he was compared very highly with Bach and Handel, and Charles Burney was moved to describe his vocal music as being Inchfull of fire and invention and force in the melody and expression of the wordsInch; Feo was also a boon companion of Pergolesi. He wrote both operas (such as Siface - which had a libretto by Metastasio) and church music, with compositions which demanded significant vocal virtuosity from his performers. San Francesco di Sales apostolo del Chablais is a set of reflections and imagery on the work of this inspirational Catholic Bishop of Geneva from the turn of the seventeenth century, and the oratorio probably saw the light of day in 1734. This new , further evidence of Glossa's commitment to the music of the Neapolitan Baroque, presents Fabio Biondi directing the highly-versatile forces of the Stuttgarter Kammerorchester and four of today's brightest and most stylish voices as the oratorio's soloists sopranos Monica Piccinini and Roberta Mameli, contralto Delphine Galou, and bass Luca Tittoto. Ample opportunity is also provided in Feo's score for instrumental virtuosity, and Biondi's own abundant violinistic flair is much to the fore here.

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  • Genre
    Classical
    Description
    Fabio Biondi's immense curiosity for characterful music - especially of forgotten scores from the Baroque - yields another fabulous surprise with Francesco Feo's oratorio San Francesco di Sales. Feo's reputation is at last starting to wax after having waned dramatically in the nineteenth century and thenceforward in his own age he was compared very highly with Bach and Handel, and Charles Burney was moved to describe his vocal music as being Inchfull of fire and invention and force in the melody and expression of the wordsInch; Feo was also a boon companion of Pergolesi. He wrote both operas (such as Siface - which had a libretto by Metastasio) and church music, with compositions which demanded significant vocal virtuosity from his performers. San Francesco di Sales apostolo del Chablais is a set of reflections and imagery on the work of this inspirational Catholic Bishop of Geneva from the turn of the seventeenth century, and the oratorio probably saw the light of day in 1734. This new , further evidence of Glossa's commitment to the music of the Neapolitan Baroque, presents Fabio Biondi directing the highly-versatile forces of the Stuttgarter Kammerorchester and four of today's brightest and most stylish voices as the oratorio's soloists sopranos Monica Piccinini and Roberta Mameli, contralto Delphine Galou, and bass Luca Tittoto. Ample opportunity is also provided in Feo's score for instrumental virtuosity, and Biondi's own abundant violinistic flair is much to the fore here.
    Artist
    FEO / GALOU / BIONDI
    Title
    San Francesco Di Sales
    Format
    CD
    Label
    Glossa
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Feo / Galou / Biondi - San Francesco Di Sales   - COMPACT DISCS [CD]
Feo / Galou / Biondi - San Francesco Di Sales - COMPACT DISCS [CD]

Fabio Biondi's immense curiosity for characterful music - especially of forgotten scores from the Baroque - yields another fabulous surprise with Francesco Feo's oratorio San Francesco di Sales. Feo's reputation is at last starting to wax after having waned dramatically in the nineteenth century and thenceforward in his own age he was compared very highly with Bach and Handel, and Charles Burney was moved to describe his vocal music as being Inchfull of fire and invention and force in the melody and expression of the wordsInch; Feo was also a boon companion of Pergolesi. He wrote both operas (such as Siface - which had a libretto by Metastasio) and church music, with compositions which demanded significant vocal virtuosity from his performers. San Francesco di Sales apostolo del Chablais is a set of reflections and imagery on the work of this inspirational Catholic Bishop of Geneva from the turn of the seventeenth century, and the oratorio probably saw the light of day in 1734. This new , further evidence of Glossa's commitment to the music of the Neapolitan Baroque, presents Fabio Biondi directing the highly-versatile forces of the Stuttgarter Kammerorchester and four of today's brightest and most stylish voices as the oratorio's soloists sopranos Monica Piccinini and Roberta Mameli, contralto Delphine Galou, and bass Luca Tittoto. Ample opportunity is also provided in Feo's score for instrumental virtuosity, and Biondi's own abundant violinistic flair is much to the fore here.

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