Fidelio Trio - Ye: Chamber Works - COMPACT DISCS [CD]

It would be harder to find a more different approach to the template of the traditional three-movement concerto than that found in the piece by the Swiss composer Frank Martin. In it's atmospheric density it recalls Martin's setting of Shakespeare's the Tempest. Baiba Skride finds the right tone not only for the veiled sonorities of this piece but also for the tremendous sense of brightness that overwhelms the writing towards the end.

The pianist Ekaterina Litvintseva won critical praise for her solo album on Piano Classics (PCL10226) of piano music by Dora Pejacevic 'You owe it to yourself to make the acquaintance of Dora Pejacevic if you haven't done so already.' (Fanfare, May 2022) With her colleagues in Trio RoVerde, she now turns to the Croatian composer's chamber music. The Cello Sonata dates from 1913, the same year as Pejacevic wrote the first piano concerto by any Croatian composer. Like Brahms's First Cello Sonata and Elgar's Cello Concerto, it is cast in a moody E minor, with a yearning character are established from the outset by a long-limbed cantabile melody for the cellist. Pejacevic proceeds to develop a passionate dialogue between cello and piano through an assured handling of sonata form. The following sequence of miniatures for violin and piano evokes the world of the salon in their titles, but the Schumannesque warmth of the Romanze Op.22, from 1907, is replaced by a style at once more wistful and refined by the time of the Elegie, which she wrote in the same pivotal year (1913) as the Cello Sonata. From seven years later, the Meditation Op.51 makes no retreat into solipsism but paints a three-minute sketch of a new and uncertain world. From 1910, the C major Piano Trio returns us to safer ground. Pejacevic demonstrates a notable sensitivity in writing for a tricky combination of instruments strong melodic writing for the string instruments counterbalances the weight of the piano part, which is in any case deftly pointed and touched by the composer's experience as a performer. If Pejacevic's chamber music has not taken it's place in the standard repertoire of late-Romanticism, it is our loss, and one that an increasing number of performances and recordings such as this one are belatedly redressing.

Keeley / Sutherland / Fidelio Trio - Chamber Music [COMPACT DISCS] date 05/01/2011