Filippenko / Pasichnyk - Consolation: Forgotten Treasures of the Ukrainian Soul - SUPER-AUDIO CD [Super Audio CD (SACD)]

Longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman (as Milton Keanes) is back with Jazz Sabbath Vol. 2. According to the liner notes, the UK jazz trio Jazz Sabbath were recording 2 albums in 1969 when disaster struck. Their debut album was cancelled, and their second album shelved; leaving room for a certain band from Birmingham becoming famous by playing metal versions of their jazz songs; claiming they were their own. Jazz Sabbath were powerless to do anything about it.The discovery of their debut album master tapes and the following re- of the album in 2020 has changed everything. With the truth finally out there and the Birmingham band exposed as musical charlatans, Milton Keanes and colleagues have reunited and finished recording their second album. This album contains the songs in their original form, replenished with 52 years of experience, vigor... and rage. The tranquil 'Symptom Of The Universe', the full 8-minute version of 'Paranoid' (not that metal afterthought version everyone knows) and of course the song that other band so blatantly named themselves after. This limited translucent natural vinyl MONO edition comes with a bonus track, a bonus DVD and alternative artwork. Album Tracks 1. A1. Paranoid 2. A2. Snowblind 3. A3. Behind the Wall of Sleep 4. A4. Orchid * * RSD Bonus Track 5. B1. Sabbra Cadabra 6. B2. Symptom of the Universe 7. B3. N.I.B 8. B4. Black Sabbath

Violina Petrychenko decided to put together a program that would combine the musical traditions of Western Europe and Ukraine. The first part presents two composers, whose work is rooted in the classical traditions Levko Revutsky and Viktor Kosenko. The remaining three, Kolessa as well as Igor and Juri Shamo, strove to draw on a greater number of folkloristic motifs. It was the piece Carpathian Fantasy by Juri Schamo, which gave her the idea to this program, because the work itself stands for the combination of musical traditions. Details 1. No. 1 in D-Flat Major 2. No. 2 in F-Sharp minor 3. No. 3 in C-Sharp minor 4. Nocturne Fantasy in C-Sharp minor, Op. 4 5. No. 2 in B minor 6. No. 9 in F-Sharp minor 7. Trost in B Major 8. Nocturne in F-Sharp minor 9. Mazurka in E-Flat minor 10. Verlangen, Op. 11 11. Präludium 12. Kontraste 13. Herbstpräludium in C Major 14. Fantasiepräludium in E-Flat Major 15. Über Dovbusch in G minor 16. Huzulisches Präludium in F minor 17. Duma 18. Vesnyanka 19. Melody 20. Dance 21. No. 1 in C Major 22. No. 2 in a Minor 23. No. 3 in G Major 24. No. 8 in F-Sharp minor 25. Carpathian Fantasy

?The Ukrainian word mrijaInch means dream. It's very sound is soft and singing. They are dreams that give us wings, as it were, and lift us out of everyday life - they give us hope and bring us joy and happiness. We experience it as painful when an intimate dream is destroyed by violence from outside. I like to dream and I don't want to see the dreams of Ukrainians destroyed either. Since 24 February 2022, no Ukrainian can dream of anything but the end of a brutal, senseless war. Russia has bombed rows and rows of Ukrainian towns and villages and destroyed the largest aircraft in the world in the very first month of the war - this too bore the name InchMrijaInch. In contrast, the Ukrainians only grew stronger in their dreams of freedom, peace and victory - for which they have been fighting at the front ever since. It is a struggle for the preservation of an independent national history and language, a culture that is reflected in the poetry and paintings of master artists as well as in the work of Ukrainian composers of various epochs - a struggle that has become particularly sadly topical since Russia claimed that Ukraine did not exist as a state and will not exist as such. The music on this CD energetically counters this with a centuries-old, independent musical culture. This album brings together unique works of classical Ukrainian piano music. Many of them find their first recording here and it is an honour for me to introduce the listener to such interesting pieces, which - unfortunately - are largely unknown in Europe so far. I have been dealing with the music of my homeland for years. This time I am inviting my listeners to Central and Eastern Ukraine, the part of the country where I was born. The programme includes works by Lysenko, Jedlicka, Stepowyj and Rewuzkyj. All four are in the Romantic tradition and yet - each in their own way - were pioneers who broke