Fo¨llakzoid - I - VINYL LP
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The long-awaited fourth full-length by Föllakzoid isn't merely a recalibration for the band. It is a multidimensional reconsideration of what the process of songwriting, performance, and creating a work of recorded music can be. Föllakzoid grows via depuration, aiming with each record to fill longer spaces of time with fewer and fewer elements. The creative perspective of the band has always been about unlearning the narrative and musical knowledge that shape the physical and digital formats and conceptions available, both visually and musically in order to make a time-space metric structure that dissolves both the author and the narrative paradigms. InchWe found our sonic and metric identity even more in these songs than in our previous attempts,Inch guitarist/singer Domingæ Garcia-Huidobro explains. Unlike past Föllakzoid records, that were done in single takes with the full band, this record took three months to construct out of more than 60 separate stems - guitars, bass, drums, synthesizers, and vocals, all recorded in isolation. Producer Atom TM, who was not present for recording, was then asked to re-organize the four sequences of stems without any length, structural restrictions or guidelines. Those sequences ultimately became the four long tracks that appear on I. The result of this was a set of songs where neither the band's, nor the producer's, structural vision primarily shaped the metric or tonal space shifts, but where both were still subliminally present in each of the parts that form the structure and the frequency modulations that guide them. InchWe invite you to join us in sharing the experience of being led by this non-rational, sonic artform and it's energy. It is also an invitation to connect once again with your inner master and his intuition, erasing the systematic rationalization that usually follows creative forces when perceived, to guide you
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- GenreRockDescriptionThe long-awaited fourth full-length by Föllakzoid isn't merely a recalibration for the band. It is a multidimensional reconsideration of what the process of songwriting, performance, and creating a work of recorded music can be. Föllakzoid grows via depuration, aiming with each record to fill longer spaces of time with fewer and fewer elements. The creative perspective of the band has always been about unlearning the narrative and musical knowledge that shape the physical and digital formats and conceptions available, both visually and musically in order to make a time-space metric structure that dissolves both the author and the narrative paradigms. InchWe found our sonic and metric identity even more in these songs than in our previous attempts,Inch guitarist/singer Domingæ Garcia-Huidobro explains. Unlike past Föllakzoid records, that were done in single takes with the full band, this record took three months to construct out of more than 60 separate stems - guitars, bass, drums, synthesizers, and vocals, all recorded in isolation. Producer Atom TM, who was not present for recording, was then asked to re-organize the four sequences of stems without any length, structural restrictions or guidelines. Those sequences ultimately became the four long tracks that appear on I. The result of this was a set of songs where neither the band's, nor the producer's, structural vision primarily shaped the metric or tonal space shifts, but where both were still subliminally present in each of the parts that form the structure and the frequency modulations that guide them. InchWe invite you to join us in sharing the experience of being led by this non-rational, sonic artform and it's energy. It is also an invitation to connect once again with your inner master and his intuition, erasing the systematic rationalization that usually follows creative forces when perceived, to guide youArtistFo¨llakzoidTitleIFormatVINYLLabelSacred Bones
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The long-awaited fourth full-length by Föllakzoid isn't merely a recalibration for the band. It is a multidimensional reconsideration of what the process of songwriting, performance, and creating a work of recorded music can be. Föllakzoid grows via depuration, aiming with each record to fill longer spaces of time with fewer and fewer elements. The creative perspective of the band has always been about unlearning the narrative and musical knowledge that shape the physical and digital formats and conceptions available, both visually and musically in order to make a time-space metric structure that dissolves both the author and the narrative paradigms. InchWe found our sonic and metric identity even more in these songs than in our previous attempts,Inch guitarist/singer Domingæ Garcia-Huidobro explains. Unlike past Föllakzoid records, that were done in single takes with the full band, this record took three months to construct out of more than 60 separate stems - guitars, bass, drums, synthesizers, and vocals, all recorded in isolation. Producer Atom TM, who was not present for recording, was then asked to re-organize the four sequences of stems without any length, structural restrictions or guidelines. Those sequences ultimately became the four long tracks that appear on I. The result of this was a set of songs where neither the band's, nor the producer's, structural vision primarily shaped the metric or tonal space shifts, but where both were still subliminally present in each of the parts that form the structure and the frequency modulations that guide them. InchWe invite you to join us in sharing the experience of being led by this non-rational, sonic artform and it's energy. It is also an invitation to connect once again with your inner master and his intuition, erasing the systematic rationalization that usually follows creative forces when perceived, to guide you
Vinyl LP pressing. The Collection covers the seven-time Grammy Award-winner's career between 1995 and 2005, when the Canadian popstar first broke out in the States. It includes a handful of Morissette's well-known singles, several soundtrack selections, and her performance of Seal's hit InchCrazy,Inch which debuted on The Collection in 2005. Several songs on The Collection weren't released on Morissette's studio albums, like InchPrinces FamiliarInch from her 1999 gold-certified MTV Unplugged album and InchSister BlisterInch from the 2002 compilation Feast On Scraps. A few of the singer's soundtrack contributions are featured here, including InchStillInch from Kevin Smith's 1999 film, Dogma, where Morissette played the role of God.
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Sometimes a band grows so exponentially from one record to the next, it's almost jarring. Hell Fire has already established themselves as the preeminent masters of a new hybrid breed of Bay Area thrash and NWOBHM in just a few short years, but their fourth album Reckoning is the type of ascendance that truly sets a band apart. Reckoning is their Master Of Puppets, their Number Of The Beast, their Defenders Of The Faith. From the very first notes of the album opening title track, you can feel a vital new energy and inspiration to their music. To say Hell Fire used the recent global downtime to dig within and fully refine their sound would be an understatement. It truly is a reckoning. InchThis album is every aspect of our band amplified to it's maximum potential,Inch says singer / guitarist Jake Nunn. InchThis is the record we've always wanted to make, and it feels like we're just getting started,Inch guitarist Tony Campos adds. InchWe wanted to push ourselves musically and capture some of our frustrations, anger, loneliness, and rage over being locked inside and dealing with life during a global pandemic in the days when no one really knew how to navigate,Inch says drummer Mike Smith. With no touring on the horizon in 2020, the band hunkered down and recorded nearly a full album in preproduction home demos. InchI set up a little studio in my garage to record guitar, bass, and vocal tracks,Inch Campos says. InchWhile Mike bought an electronic drum set and we demoed every song so we were more prepared going into the studio.Inch Each of them found themselves practicing more on their own and ironing out every last detail and nuance before finally being able to once again play in a room together. The band's heightened professionalism also brings in guest bassist Matt Freeman (of Rancid and Operation Ivy fame) on the album after original bassist Herman Bandala departed the
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