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Folk music has a bad habit of being presented as a deathlyserious concern. It's something you cry to, it's overly sacred, it'ssolemnly considered by critic-historians. But Folk B*tch Trio, formerhigh school friends Heide Peverelle (they/them), Jeanie Pilkington(she/her) and Gracie Sinclair (she/her), have a shared sense of humourthat is embedded deep in their music, and that sets it alight, safefrom the self-serious traps of the genre.Now Would Be A Good Time, their debut album, tells vivid,visceral stories, and is funny and darkly ironic in the manner of writerslike Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar,but the songs are modern, youthful, singing acutely throughdissociative daydreams and galling breakups, sexual fantasies andmedia overload, all the petty resentments and minor humiliations ofbeing in your early twenties in the 2020s."Cathode Ray" opens with caution, it's first harmoniesarriving in big, looping sighs. It's vulnerable but a little menacing, witha wide open chorus and a spacious, airy beat anchoring everything."Moth Song", a song about unrequited love and "being so spun out byeverything that you feel like you're delusional and hallucinating crazythings," forms the album's spare centrepiece, Anita Clark's undulatingviolin part drifting in and out of focus as if from a dream.Other songs aren't as oblique, instead chronicling brutallyfamiliar moments at the end of relationships The tense, emotionallyvolatile torch song "The Actor", says Peverelle, is about "going to yourpartner's one-woman show and then getting broken up with". "HotelTV", a hypnotic, late-night reverie, is about "having a S*x dream aboutsomebody else while next to your partner, and your partner being aliar," explains Pilkington.The strongest link between the trio, aside from friendship, ismusic. "We all talked about loving music when we were growing up,and knowing
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Folk music has a bad habit of being presented as a deathlyserious concern. It's something you cry to, it's overly sacred, it'ssolemnly considered by critic-historians. But Folk B*tch Trio, formerhigh school friends Heide Peverelle (they/them), Jeanie Pilkington(she/her) and Gracie Sinclair (she/her), have a shared sense of humourthat is embedded deep in their music, and that sets it alight, safefrom the self-serious traps of the genre.Now Would Be A Good Time, their debut album, tells vivid,visceral stories, and is funny and darkly ironic in the manner of writerslike Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar,but the songs are modern, youthful, singing acutely throughdissociative daydreams and galling breakups, sexual fantasies andmedia overload, all the petty resentments and minor humiliations ofbeing in your early twenties in the 2020s."Cathode Ray" opens with caution, it's first harmoniesarriving in big, looping sighs. It's vulnerable but a little menacing, witha wide open chorus and a spacious, airy beat anchoring everything."Moth Song", a song about unrequited love and "being so spun out byeverything that you feel like you're delusional and hallucinating crazythings," forms the album's spare centrepiece, Anita Clark's undulatingviolin part drifting in and out of focus as if from a dream.Other songs aren't as oblique, instead chronicling brutallyfamiliar moments at the end of relationships The tense, emotionallyvolatile torch song "The Actor", says Peverelle, is about "going to yourpartner's one-woman show and then getting broken up with". "HotelTV", a hypnotic, late-night reverie, is about "having a S*x dream aboutsomebody else while next to your partner, and your partner being aliar," explains Pilkington.The strongest link between the trio, aside from friendship, ismusic. "We all talked about loving music when we were growing up,and knowing

1LP, 140g ruby red vinyl. The Stooges' self-titled album, remixed by John Cale, showcases a raw and intense sound that became a blueprint for punk rock. Tracks like "1969" and "I Wanna Be Your Dog" are iconic for their rebellious energy and stripped-down, gritty instrumentation. With longer, experimental pieces like "We Will Fall," the album pushes boundaries and captures the band's fearless approach to music-making, cementing their place as pioneers of the punk rock genre.

Clear Vinyl. Originally released in 1975, Force It is UFO's fourth studio album. Produced by Ten Years After's Leo Lyons, it was their first album to chart in the US and enabled the band to kick up a rockier gear. Containing many classic tracks still in their live set today, such as "Shoot Shoot" and "Let It Roll", this newly remastered 2LP gatefold deluxe version includes the Record Plant live set and bonus track "A Million Miles" which were previously unavailable on vinyl.This limited-edition version is pressed on clear vinyl. Album Tracks 1. Let It Roll 2. Shoot Shoot 3. High Flyer 4. Love Lost Love 5. Out in the Street 6. Mother Mary 7. Too Much of Nothing 8. Dance Your Life Away 9. This Kid's (Including "Between the Walls") 1. Intro - Live at Record Plant, Los Angeles 1975 2. Let It Roll - Live at Record Plant, Los Angeles 1975 3. Doctor Doctor - Live at Record Plant, Los Angeles 1975 4. Oh My - Live at Record Plant, Los Angeles 1975 5. Built for Comfort - Live at Record Plant, Los Angeles 1975 6. Out in the Street - Live at Record Plant, Los Angeles 1975 7. Space Child - Live at Record Plant, Los Angeles 1975 8. Mother Mary - Live at Record Plant, Los Angeles 1975 9. All or Nothing - Live at Record Plant, Los Angeles 1975 10. This Kid's - Live at Record Plant, Los Angeles 1975 11. Shoot Shoot - Live at Record Plant, Los Angeles 1975 12. Rock Bottom - Live at Record Plant, Los Angeles 1975

Debbie Gibson releases her first pop album in 20 years on August 20th entitled "The Body Remembers" This 14 song collection is a well rounded combination of dance/pop, pop/rock, and ballads including a re-imagined version of her mega-hit 'Lost In Your Eyes' with Joey McIntyre. Her musical contributors on this new range from Grammy award winning DJ Tracy Young, to Emmy Award winning composer/producer/Cinderella drummer Fred Coury, Former Guns n Roses guitarist DJ Ashba and, iconic mixers Josh Gudwin and Brian Malouf. This album marks the debut of 19 year old musical prodigy Sean Thomas. This recent Berkley graduate is Debbie's producing partner on the majority of songs. Ms. Gibson's Vegas limited engagement with Joey McIntyre kicks off August 26th at The Sands Showroom at The Venetian and is in such high demand that more shows have just been added! Album Tracks 1. One Step Closer 2. Runway 3. Love Don't Care 4. The Body Remembers 5. Lost in Your Eyes, the Duet (With Joey McIntyre) 6. Strings 7. Legendary 8. Freedom (Featuring DJ Ashba) 9. Girls Night Out (Vegasvibe Remix) 10. Dance 4U 11. What Are We Gonna Do? 12. Luvu2Much 13. Red Carpet Ready 14. Tell Me Love 15. Me Not Loving You
