Frances Chang - Psychedelic Anxiety - VINYL LP
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Psychedelic Anxiety, as a mood, goes something like this overwhelming, existential, vertigoic, arising when we stare into the void. This metaphysical unease also serves as the title for Brooklyn-based musician Frances Chang's second album, and as a feeling it's present throughout, charged by all things occultish.Recorded by Chang and engineer Andrea Schiavelli, featuring a cast of revered NYC DIY players, including Schiavelli (Eyes of Love) and Liza Winter (Birthing Hips), Psychedelic Anxiety relishes in the refining of aesthetic, in the electricity of improvisation, in balancing bleakness with humor. It embodies an idiosyncratic genre Chang calls slacker prog - offbeat, but brimming with spiritual and emotional resonance. The record infuses artifacts of the mundane with otherworldliness- even the love songs live more in the realm of fantasy (or horror) than the romantic. The psychic twin and mirror image of Chang's 2022 debut full-length Support Your Local Nihilist, Psychedelic Anxiety by comparison is less urgent, leaving space for more nuance and storytelling. Together, these albums represent a new cycle of creativity for Chang, a reset to zero. InchEye Land,Inch captures Chang on a tour around the Irish and English countryside, in a moment of major life change. InchLying around your spare room,Inch she sings, InchSky is cloudy here in June.Inch Around her, guitar sputters and stops. Vocals branch off like vines on the side of an old house. It is a profoundly lovely song, a freaky miniature in the way that a Broadcast song is a freaky miniature. InchDarksideInch opens up with a particularly memorable narrative moment. InchLast night I saw Parasite,Inch sings Chang, describing how she saw it alone, how regular life that week was acute, weird, intense. How she found comfort in resignation. After all Psychedelic Anxiety is a serene, bizarre record full of alien soun
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- GenreRockDescriptionPsychedelic Anxiety, as a mood, goes something like this overwhelming, existential, vertigoic, arising when we stare into the void. This metaphysical unease also serves as the title for Brooklyn-based musician Frances Chang's second album, and as a feeling it's present throughout, charged by all things occultish.Recorded by Chang and engineer Andrea Schiavelli, featuring a cast of revered NYC DIY players, including Schiavelli (Eyes of Love) and Liza Winter (Birthing Hips), Psychedelic Anxiety relishes in the refining of aesthetic, in the electricity of improvisation, in balancing bleakness with humor. It embodies an idiosyncratic genre Chang calls slacker prog - offbeat, but brimming with spiritual and emotional resonance. The record infuses artifacts of the mundane with otherworldliness- even the love songs live more in the realm of fantasy (or horror) than the romantic. The psychic twin and mirror image of Chang's 2022 debut full-length Support Your Local Nihilist, Psychedelic Anxiety by comparison is less urgent, leaving space for more nuance and storytelling. Together, these albums represent a new cycle of creativity for Chang, a reset to zero. InchEye Land,Inch captures Chang on a tour around the Irish and English countryside, in a moment of major life change. InchLying around your spare room,Inch she sings, InchSky is cloudy here in June.Inch Around her, guitar sputters and stops. Vocals branch off like vines on the side of an old house. It is a profoundly lovely song, a freaky miniature in the way that a Broadcast song is a freaky miniature. InchDarksideInch opens up with a particularly memorable narrative moment. InchLast night I saw Parasite,Inch sings Chang, describing how she saw it alone, how regular life that week was acute, weird, intense. How she found comfort in resignation. After all Psychedelic Anxiety is a serene, bizarre record full of alien sounArtistFrances ChangTitlePsychedelic AnxietyFormatVINYLLabelRamp Local
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Psychedelic Anxiety, as a mood, goes something like this overwhelming, existential, vertigoic, arising when we stare into the void. This metaphysical unease also serves as the title for Brooklyn-based musician Frances Chang's second album, and as a feeling it's present throughout, charged by all things occultish.Recorded by Chang and engineer Andrea Schiavelli, featuring a cast of revered NYC DIY players, including Schiavelli (Eyes of Love) and Liza Winter (Birthing Hips), Psychedelic Anxiety relishes in the refining of aesthetic, in the electricity of improvisation, in balancing bleakness with humor. It embodies an idiosyncratic genre Chang calls slacker prog - offbeat, but brimming with spiritual and emotional resonance. The record infuses artifacts of the mundane with otherworldliness- even the love songs live more in the realm of fantasy (or horror) than the romantic. The psychic twin and mirror image of Chang's 2022 debut full-length Support Your Local Nihilist, Psychedelic Anxiety by comparison is less urgent, leaving space for more nuance and storytelling. Together, these albums represent a new cycle of creativity for Chang, a reset to zero. InchEye Land,Inch captures Chang on a tour around the Irish and English countryside, in a moment of major life change. InchLying around your spare room,Inch she sings, InchSky is cloudy here in June.Inch Around her, guitar sputters and stops. Vocals branch off like vines on the side of an old house. It is a profoundly lovely song, a freaky miniature in the way that a Broadcast song is a freaky miniature. InchDarksideInch opens up with a particularly memorable narrative moment. InchLast night I saw Parasite,Inch sings Chang, describing how she saw it alone, how regular life that week was acute, weird, intense. How she found comfort in resignation. After all Psychedelic Anxiety is a serene, bizarre record full of alien soun

'We should try again to talk,' Frances Quinlan writes. It not just a lyric'it's a suggestion, a warning, a plea, a wish. This request is woven throughout Likewise, her forthcoming solo album, amidst dramatically shifting motifs. Some are jubilant, some are dreamy and abstract, and a few are sinister, but within each dark void that Quinlan explores, there is a light peering back at her. Frances Quinlan has built an identity for herself over the past decade as the lead songwriter and front-woman of the Philadelphia-based band Hop Along, and her distinct voice is among the most recognizable and inimitable in music. While the band began as Quinlan's solo project (originally titled Hop Along, Queen Ansleis), Likewise (out January 31st on Saddle Creek) is Quinlan's debut under her own name. To make the record, she enlisted the virtuosic skills of her bandmate Joe Reinhart, and together they produced the album at his studio, The Headroom, recording in stints over the course of a year. With a renewed openness to explore different sounds, Quinlan supplements her typical guitar-based instrumentation with synthesizers, digital beats, harps, strings, and a wide variety of keyboards. The shifting and exploratory nature of these musical arrangements allow her lyrics and vocals'which have always been at the forefront of her music'to reach emotional depths like never before. Her vocal tones beckon a kaleidoscopic range of emotions across all nine songs on the album, from soft and ruminative to enraged and commanding; from conveying powerful messages to highlighting small, yet poignant, moments. Quinlan is a voyaging songwriter. Throughout Likewise, she confronts what confounds her in the hopes that she will come out on the other side with a better sense of what it is to be human. She presents listeners with a complicated, albeit spirited vision of what it could mean to truly engage w
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Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas, and Harm van den Dorpel. Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work - known simply as Lexachast. Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next, and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in it's current, full-grown form. Whilst broadly inspired by the experience derived from and exposure to algorithmic patterns as generated by visual artist Harm van den Dorpel's specially-devised program, the work is a sonic reference to the fallouts of avant-EDM and cyberdrone. This in turn is simultaneously mirrored by the perturbing visuals, created by a unique algorithm that sources and blends various filtered imagery from DeviantArt and Flickr in real time - with a bias towards the NSFW, extreme banality, and ornamental melancholia. The results were a perfect fit for the deliberate intention of non-intent, an anti-video of sorts, which ended up as a defining element for the project. Artwork created with Harm van den Dorpel's ever-evolving, image-sourcing algorithm. Mastered by Rashad Becker at Dubplates & Mastering, Berlin.
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