
It has been over four years since the passing of Frank Kimbrough, an incredible pianist, composer and educator. His loss left an unfillable void in the jazz scene of New York City and throughout the world. Fortunately, his lessons and music still live on in his students, peers and recordings. So, it is with great pleasure and pride that Sunnyside Records presents The Call, a collection of solo performances that were captured and later rediscovered by recording engineer Matt Balitsaris.Kimbrough was an integral part of the New York jazz scene. He was a beloved friend and collaborator. He appeared in ensembles led by leaders as diverse and illustrious as Maria Schneider, Ben Allison, Ted Nash, Matt Wilson, Jay Anderson, and Kendra Shank, among many others. Kimbrough's original compositions were as celebrated as his interpretations of standards and the jazz canon, for which he was highly regarded, especially after the of his prodigious recording of the full Thelonious Monk oeuvre on Monk's Dreams (Sunnyside, 2018).Though he regularly led and recorded with ensembles of all sorts, Kimbrough was also respected as a remarkable piano soloist. As well as the occasional solo performance, Kimbrough recorded one solo album, Air (Palmetto, 2007). This makes the of The Call especially welcome, as it is another program of solo piano playing on varied material, including beloved pieces by Duke Ellington and Dizzy Gillespie, along with the initial recordings of pieces that would become essential parts of Kimbrough's original songbook.Fortunately, the tapes were running when Kimbrough stepped into his favorite recording studio, Maggie's Farm, in Buck's County, Pennsylvania on July 19, 2010. Engineer Balitsaris captured a full afternoon's worth of material, which he later unearthed for this .The program begins with a knotty version of Ellington's InchAngelica, Inch Kimbrough's Monk
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It has been over four years since the passing of Frank Kimbrough, an incredible pianist, composer and educator. His loss left an unfillable void in the jazz scene of New York City and throughout the world. Fortunately, his lessons and music still live on in his students, peers and recordings. So, it is with great pleasure and pride that Sunnyside Records presents The Call, a collection of solo performances that were captured and later rediscovered by recording engineer Matt Balitsaris.Kimbrough was an integral part of the New York jazz scene. He was a beloved friend and collaborator. He appeared in ensembles led by leaders as diverse and illustrious as Maria Schneider, Ben Allison, Ted Nash, Matt Wilson, Jay Anderson, and Kendra Shank, among many others. Kimbrough's original compositions were as celebrated as his interpretations of standards and the jazz canon, for which he was highly regarded, especially after the of his prodigious recording of the full Thelonious Monk oeuvre on Monk's Dreams (Sunnyside, 2018).Though he regularly led and recorded with ensembles of all sorts, Kimbrough was also respected as a remarkable piano soloist. As well as the occasional solo performance, Kimbrough recorded one solo album, Air (Palmetto, 2007). This makes the of The Call especially welcome, as it is another program of solo piano playing on varied material, including beloved pieces by Duke Ellington and Dizzy Gillespie, along with the initial recordings of pieces that would become essential parts of Kimbrough's original songbook.Fortunately, the tapes were running when Kimbrough stepped into his favorite recording studio, Maggie's Farm, in Buck's County, Pennsylvania on July 19, 2010. Engineer Balitsaris captured a full afternoon's worth of material, which he later unearthed for this .The program begins with a knotty version of Ellington's InchAngelica, Inch Kimbrough's Monk

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

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