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Fred Davis was a legend, but only in my living room. There was always music around myhouse, but as a teenager, I started digging deeper and deeper in to the blues records in myDad's collection. That was when I started to get the Fred Davis story in fits and starts. Fredcould play like T-Bone Walker and sang in a high, keen voice like J.B. Lenoir, he said. He usedto front a jump band in Kansas City, before something went down that sent him to prison atLeavenworth. In the summer of 1967, he ended up working alongside my Dad at Harco, theCleveland factory where my grandfather was an executive. They became friends, bonding overthe B.B. King and Bobby Bland records blaring from the AM radio on the factory floor.Fred taught my Dad the rudiments of blues guitar, but his style. Instead of barring with his firstfinger, he wrapped his thumb around the back of the neck. That left his other fingers free tocreate big, ringing voicings that imitated the Kansas City horn sections he heard in his youth.Fred could play up and down the neck and, even when he played and sang just by himself, hesounded like a full band. Or, at least, so the legend went. These were only foggy memories fromthirty years previous, passed down from a father to a son.But then we found the tape. A quarter inch reel in a plain white cardboard box, hiding on a shelfin the attic. My Dad explained how it came to exist He found some friends (acquaintancesreally) who had a band and some equipment. They setup in my grandparents living room wherethe upright piano was, and he invited Fred over to record some of his songs with the bandbacking him up. Invited him over, to play loud music, in his boss's living room. Sounds likesomething I would have done. The idea was that maybe if there were some recordings of Fredthat he could use them to get booked on the nascent college blues-revival circuit, but it wasn't tobe.We fou
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Fred Davis was a legend, but only in my living room. There was always music around myhouse, but as a teenager, I started digging deeper and deeper in to the blues records in myDad's collection. That was when I started to get the Fred Davis story in fits and starts. Fredcould play like T-Bone Walker and sang in a high, keen voice like J.B. Lenoir, he said. He usedto front a jump band in Kansas City, before something went down that sent him to prison atLeavenworth. In the summer of 1967, he ended up working alongside my Dad at Harco, theCleveland factory where my grandfather was an executive. They became friends, bonding overthe B.B. King and Bobby Bland records blaring from the AM radio on the factory floor.Fred taught my Dad the rudiments of blues guitar, but his style. Instead of barring with his firstfinger, he wrapped his thumb around the back of the neck. That left his other fingers free tocreate big, ringing voicings that imitated the Kansas City horn sections he heard in his youth.Fred could play up and down the neck and, even when he played and sang just by himself, hesounded like a full band. Or, at least, so the legend went. These were only foggy memories fromthirty years previous, passed down from a father to a son.But then we found the tape. A quarter inch reel in a plain white cardboard box, hiding on a shelfin the attic. My Dad explained how it came to exist He found some friends (acquaintancesreally) who had a band and some equipment. They setup in my grandparents living room wherethe upright piano was, and he invited Fred over to record some of his songs with the bandbacking him up. Invited him over, to play loud music, in his boss's living room. Sounds likesomething I would have done. The idea was that maybe if there were some recordings of Fredthat he could use them to get booked on the nascent college blues-revival circuit, but it wasn't tobe.We fou

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited splatter colored vinyl LP pressing. Meteora, Linkin Park's ground-breaking second album, was released in March 2003 and includes the global hit singles InchSomewhere I BelongInch, InchFaintInch, InchNumbInch, InchBreaking The HabitInch and InchFrom The Inside.Inch It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries.

Standard vinyl LP pressing. Digitally remixed 50th Anniversary edition of The Beatles' musical masterpiece. This Abbey Road features the new stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album's original stereo mix supervised by his father, George Martin. It is time to experience Abbey Road again! Album Tracks 1. Come Together 2. Something 3. Maxwell's Silver Hammer 4. Oh! Darling 5. Octopus's Garden 6. I Want You (She's So Heavy) 1. Here Comes the Sun 2. Because 3. You Never Give Me Your Money 4. Sun King 5. Mean Mr Mustard 6. Polythene Pam 7. She Came in Through the Bathroom Window 8. Golden Slumbers 9. Carry That Weight 10. The End 11. Her Majesty
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